Category Archives: DICTIONARY

Xylography in Asian Wood Engravings and Medieval Block Books

The definition of xylography means the oldest known form of woodcut and engraving in wood, invented in China in the first century AD. Although it originated in China, “the practice of woodcut has spread across the world from Europe to other parts of Asia, and to Latin America. [In woodcut technique], the block is cut along the wood grain, [whereas in the case of wood engraving], the block is cut in the [end-grain].” (“Woodcut” 2021).

A single-sheet of woodcut of the famous Four Horsemen c. 1496–1498 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Albrecht Dürer – National Gallery of Art. Public domain. Photo and caption source: “Woodcut” (2021). In: Wikipedia. The Free Encyclopedia.

The technique of “[woodcut] is a relief printing […] in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. […] The surface is covered with ink, [also in multiple colours], by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas” (“Woodcut” 2021).

The art of carving the woodcut is generally referred to as xylography. Although the latter term is rarely used in Europe for woodcut single images, it is mostly related to the so-called block books, “which are small books containing text and images in the same block” (“Woodcut” 2021). Such block books are also called xylographica; they were uniquely printed in Europe and became popular in the second half of the fifteenth century. They are short books of up to fifty leaves and of nearly always religious content. At the same time, a single-sheet of woodcut is rather called simply a woodcut, which is presented as a single image or print, as opposed to a book illustration included in  xylographica.

Featured image: Fragment of the woodcut page from the Apocalypse. It is a block book printed in Europe between 1450 & 1500. The image come from a late fifteenth century compilation blockbook [Cod Pal. Germ 34] of which the ‘Apokalypse’ (4th ed.) forms one section. The printed text is in Latin but handwritten German translation sheets were inserted between the blockbook pages. The book is hosted by the University of Heidelberg. Public domain. Image modified. Photo and caption source: “Block book” (2021). In: Wikipedia. The Free Encyclopedia.

BIBLIOGRAPHY:

Bernard T. (2013). “Xylography. Art Terms — X”Trylit”. In: Teresa Bernard Oil Paintings. Available at <https://bit.ly/3fvYwvq>. [Accessed 27th May, 2021].

“Woodcut” (2021). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/34rVLoq>. [Accessed 27th May, 2021].

“Block book” (2021). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3i1FAX3>. [Accessed 29th May, 2021].

Wimperg – a Gable (Canopy) in the Gothic Architecture

From German: Wimperg.

In the Gothic architecture, a decorative high triangular gable, placed over a portal or window. The field of the Gothic gable was decorated with a blind or openwork tracery, the edges were provided with crockets, crowned with finials, pinnacles, and, more rarely, with figurative sculpture. Gothic gables appeared mostly in the medieval sacred architecture of the thirteenth century, and they had the most decorative forms in the fifteenth century. They emphasize the upward movement of the Gothic style. A Gothic gable were also a frequent decorative motif in late Gothic woodcarving and goldsmithing.

Featured image: The cathedral in Amiens showing three portals with wimperg decorated with pinnacles and crockets. Photo by Thuresson (2006). CC BY-SA 2.0. Image cropped. Photo source: “Gable” (2021). In: Wikipedia. The Free Encyclopedia.

BIBLIOGRAPHY:

“Gable” (2021). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3sMsFdE>. [Accessed 5th March, 2021].

Koch W. (2009) Style w architekturze. Arcydzieła budownictwa europejskiego od antyku po czasy współczesne. [Baustilkunde], pp. 491, 497. Baraniewski W., Kunkel R., Omilanowska M., Sito J., Zięba A., Żak K. trans. Warszawa: Świat Książki.

PWN (2007). Słownik terminologiczny sztuk pięknych, p. 440. Kubalska-Sulkiewicz K., Bielska-Łach M., Manteuffel-Szarota A. eds. Wydanie piąte. Warszawa: Wydawnictwo Naukowe PWN.

Ushabtis’ Function in Ancient Egypt

Small figurines of clay, stone, wood, bronze or earthenware in the shape of mummies, often holding agricultural implements. They were placed in the graves in ancient Egypt, with the beginning of the Middle Kingdom (circa 2055-1795 BC.). They were to replace the deceased, who were called to work in the Afterlife. The ushabti were animated in a magical way, by the religious texts from the Sixth Chapter of the Book of the Dead, which covered the surface of the figurines (see: The Spell of Ushabtis: ‘Verily, I Am Here’).

Featured image: Memphis, 500 BC – Troop of funerary servant figures ushabtis in the name of Neferibreheb, Louvre-Lens. Photo by Serge Ottaviani (2013). CC BY-SA 3.0. Colours intensified. Photo source: “Ushabti“ (2020). In: Wikipedia. The Free Encyclopedia.

BIBLIOGRAPHY:

“Ushabti“ (2020). In: Wikipedia. The Free Encyclopedia. Available at <http://bit.ly/3bt54Js>. [Accessed on 23rd February, 2021].

PWN (2007). Słownik terminologiczny sztuk pięknych, p. 427. Kubalska-Sulkiewicz K., Bielska-Łach M., Manteuffel-Szarota A. eds. Wydanie piąte. Warszawa: Wydawnictwo Naukowe PWN.

Tablinum – Main Living Room in a Former Italian House

From the late Latin tab(u)linum – a kind of gallery, terrace in the Roman house.

“[Tablinum] was a room, generally situated on one side of the atrium and opposite to the entrance; it opened in the rear onto the peristyle, with either a large window or only an anteroom or curtain” (“Tablinum” 2021). In the later Roman house, the tablinum was situated between an atrium with which it was connected, and the hortus (garden). Initially, it housed a marriage bedroom, then “the main office and reception room for the house master. [As such, tablinum] was the office in a Roman house, the father’s centre for business” (Ibid.) Over time, it was transformed into a reception room, “where [a master] would receive his clients. [At that time, its] walls were richly decorated with fresco pictures, and busts of the family were arranged on pedestals on the two sides of the room” (Ibid.).

Drawing of a typical roman atrium house. Architectural details of a Domus italica with the tablinum marked number 5. Drawing by Tobias Langhammer – Own work (2010). CC BY-SA 3.0. Photo and caption source: “Tablinum” (2021). In: Wikipedia. The Free Encyclopedia.

Featured image: The tablinum of the House of Menander (Regio I), Pompeii. Photo by Carole Raddato from FRANKFURT, Germany (2014). CC BY-SA 2.0. Image cropped. Photo and caption source: “Tablinum” (2021). In: Wikipedia. The Free Encyclopedia.

BIBLIOGRAPHY:

“Tablinum” (2021). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3b8NPgk>. [Accessed on 2nd March, 2021].

PWN (2007). Słownik terminologiczny sztuk pięknych, p. 409. Kubalska-Sulkiewicz K., Bielska-Łach M., Manteuffel-Szarota A. eds. Wydanie piąte. Warszawa: Wydawnictwo Naukowe PWN.

Sgraffito Technique and its Application in Art

In ceramics or ceramic tiles, sgraffito is a type of decoration received “by applying to an unfired ceramic body two successive layers of contrasting slip or glaze, and then in either case scratching so as to reveal parts of the underlying layer” (“Sgraffito” 2021). First, a drawing is cut out or scratched, usually in white engobe (slip) or the coloured one, contrasting to the colour of the body, or scratching in the body itself, which is successively covered with transparent, less often opaque glaze. This decoration was often found in Muslim ceramics. It has also been used in China. In Europe, it developed especially in Italy in the fifteenth century. But, “the Italian past participle ‘sgraffiato’, [which means scratched, scraped off or etched] is […] used especially of pottery” (Ibid.).

The Wedding Feast at Cana, represented in the technique of sgraffito, in one of the Tring Tiles. First quarter of the fourteenth century, England. The British Museum; Room 40 of the Medieval Galleries. Image cropped. Photo source: Wendy Austin (Date unknown; accessed on 23rd January, 2021). The Mystery of the Tring Tiles.

Sgraffito (graffito) is also one of the techniques of “wall decor produced by applying layers of plaster tinted in contrasting colours to a moistened surface” (“Sgraffito” 2021). It involves covering the wall with several, usually two layers of coloured plaster and partially scraping off the wet upper layers with sharp tools. In this way, the colour of the bottom layer is revealed in the scratched parts and a two or several-coloured composition is created, most often based on a geometric ornament. This technique was mainly used in a decoration of facades in architecture of Italian and Central European Renaissance. From the eighteenth century on, it was used quite sporadically.

Featured image: Detail of Renaissance sgraffito decor on walls of Březnice Chateau, Czech Republic. Photo by User: Miaow Miaow (2004). Public domain. Colours intensified. Photo and caption source: “Sgraffito” (2021). In: Wikipedia. Wolna Encyklopedia.

BIBLIOGRAPHY:

“Sgraffito” (2021). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3uo2Ku1>. [Accessed on 5th May, 2021].

“Sgraffito” (2021). In: Wikipedia. Wolna Encyklopedia. Available at <https://bit.ly/3egWK0C>. [Accessed on 5th May, 2021].

PWN (2007). Słownik terminologiczny sztuk pięknych, p. 378. Kubalska-Sulkiewicz K., Bielska-Łach M., Manteuffel-Szarota A. eds. Wydanie piąte. Warszawa: Wydawnictwo Naukowe PWN.

Austin W. (Date unknown) The Mystery of the Tring Tiles. Available at <https://bit.ly/3iEdbol>. [Accessed 23rd January, 2021].