Tag Archives: Religion

The Shaft of A Monumental High Northumbrian Cross at Bewcastle

We are heading to ancient lands of Northumbria, one of the seven Anglo-Saxon kingdoms. It was what is  now northern England and south-east Scotland. After taking a ferry from Ireland, we are first traveling along the Solway Coast in Scotland to see Northumbrian high crosses of Ruthwell and Bewastle, just at the border with England.

One of the Finest Northumbrian High Crosses

At Bewcastle in North Cumbria, there’s a parish church dedicated to Saint Cuthbert, as are most churches in Northumbria, and the shaft of an early medieval monumental cross. Bewcastle Cross with its counterpart at Ruthwell are both Northumbrian crosses, and are located on  the Solway Coast, at the border with Scotland, and in close vicinity to the Roman Wall. They are probably the finest to survive from Anglo-Saxon Britain.

Both  crosses are around 57 kilometers from each other and have similar programs and figure types. Their style and iconography look to Northumbria, and beyond there to Rome, Ravenna, the Eastern Mediterranean, including Christian Syria and Egypt. They are likely to date from after 675 when this area had come under Northumbrian rule, and when Benedict Biscop brought masons and artists from the Continent to work at the so-called Twin Monastery at Monkwearmouth and Jarrow. The Middle Eastern links are not so surprising: many monks and craftsmen fled persecution and went to the British-Isles, producing strong artistic and theological links between those two remote Christian traditions. At that time, many Syrian monks found their sanctuary in Rome, producing five Popes and great missionaries sent to the British Isles by the Apostolic Capital. Among them there was a successor of Saint Augustine of Cantenbury, Theodore of Tarsus (from modern day Turkey), who was appointed in 667 as the Archibishop of Cantenbury. Together with the Abbot, Hadrian, who himself came from northern Africa, they both created one of the greatest schools of learning and so produces outstanding scholars, like Aldhelm, Abbot of Malmesbury Abbey, and Bede the Venerable, who worked at the Monastery of Jarrow. Among Theodore’s proteges were the Northumbrian nobles who became clerics acting in favour of the Roman Church, Benedict Biscop, Ceolfirth and Wilfrid.

The Message of the Cross

Unlike Ruthwell Cross, the Cross in Bewcastle still stands unprotected under the open sky,  and so is exposed to elements. Consequently, its top has been destroyed and the surface of the  stones is badly weathered, but on a bright day the sculpture is still most impressive. On three of its sides, the Cross has only an ornamental decoration but on the fourth there are four panels. In one is a runic worn inscription. Its meaning is now not certain. Possibly, the inscription was to commemorate King Alchfrith of Deira (southern Northumbria), who died after 664, and his wife, Cyneburh. The memorial thus may have been ascribed to his half-sister Abbess Ælfflæd of Whitby (died in 714). Yet, such a theory is the realm of speculation.

Each of the other three panels of the that Cross’ side contains a monumental figure. The  three figures on the cross are crucial to its significance. In the center is Christ in Majesty, standing over two beasts at His feet who are recognizing him as their God. At the top, there’s Saint John the Baptist with the Lamb, and finally, at the base, a famous and controversial figure of a man with a falcon or eagle on a perch beside him. Most possibly, it is Saint John the Evangelist holding a pen. The two first figures are the same as on Ruthwell Cross, though different stylistically. The Bewcastle master’s figures are long and square, without round or bulging forms typical of Ruthwell Cross. Christ standing over the beasts is a subject from Psalm 91, Verses 11-13, which are  mostly interpreted in relation to the Gospel according to Saint Mark, Chapter 1st, Verse 13, when Jesus is in the desert together with wild animals, metaphorically compared to demons, and serving him angels, and Verse 24, where demons recognize Him as the Son of God.

For he will command his angels concerning you to guard you in all your ways; they will lift you up in their hands, so that you will not strike your foot against a stone. You will tread on the lion and the cobra; you will trample the great lion and the serpent.

Psalm 91:11-13

… and he was in the wilderness forty days, being tempted by Satan. He was with the wild animals, and angels attended him.

Mark 1:13

 “What do you want with us, Jesus of Nazareth? Have you come to destroy us? I know who you are—the Holy One of God!”

Mark 1:24

The scene was usually depicted in Eastern Mediterranean art, where the beasts were a lion and a snake or a dragon. Here is a Northrumbrian variant, where the wild animals look rather like swine, and their attitude also differs from a common Mediterranean examplum. Possibly, Northumbrian artists used an imported ivory or metal relief as a model for their sculpture and adopted it to their own tradition. Saint John the Evangelist is also on Ruthwell Cross but smaller and possibly together with the three other Gospel writers. At Bewcastle, he is singled out and represented on the same monumental scale as Christ  and Saint John the Baptist. Like at Ruthwell High Cross, Saint John is shown with his symbol of the eagle. Recent reserach has revealed that a similar representation can be found in a Syrian manuscript; although Saint John is shown there in a seated position, his pose with a lamp on a stand, with the latter mistaken as the eagle, does not differ much from Saint John carved on Bewcastle Cross.

But what is the connection between Saint John the Evangelist and Saint John the Baptist? The Gospel according to Saint John starts with the description of the Logos which became the foundation of all medieval theology. Saint John the Evangelist mentions Saint John the Baptist in the sentence: “There was a man sent from God, whose name was John” (John 1:6) and then follows an account of the mission of the Babtist with the verse referring to the Lamb: “The next day John saw Jesus coming toward him and said, ‘Look, the Lamb of God, who takes away the sin of the world!'” (John 1:29). Hence, Saint John the Baptist is the prophet of the Logos, prophet of the Lamb and prophet of the Baptism, so he is like a predecessor of Christ and of those times where Christ appears in history and in the Bible. In turn, Saint John the Evangelist has been considered by medieval Church as the highest of the four Gospel writers. Both parts of the Gospel according to Saint John, Chapter 1, were read within the same week in the Roman Church, the part about the Babtist in the week before Christmas, and the beginning on Christmas Day.

Melting Pot of Christian Traditions

Regarding the decoration of the Cross on the remaining three sides, there are multiple and various interlaces, as well a kind of floral elements, together with possibly some animal elements as well. A style the crosses in Bewcastle and Ruthwell was inspired by Christian art of Rome and the Mediterranean but as much as the contemporaneous iconology of Hiberno-Scotland, that of Northumbria was also influenced by Oriental Churches of Syria and Egypt. International artistic links are very visible in an ornamental decoration of the crosses. On Bewcastle Cross there are all the motives from different parts of the the Christian world, so it’s the  Mediterranean, Continent, Southern Europe and, of course, the prevalent Celtic element. Eyecatching are birds, some beautifully ornamented plants, possibly flowers. Foliage patttern and animal designs enclosed in medallions and braided patterns may have derived from Coptic sources, possibly from Coptic textiles and manuscripts brought to the British Isles by Eastern artists themselves. Various representations visible on high crosses of Northumbria thus originated from a melting pot of many different elemnts coming to one decoration, complex system used by Christian masters.

The Bewcastle Cross and a nearby Ruthwell Cross on the Solway Coast, are probably the finest to survive from Anglo-Saxon Britain. Like High Crosses in Ireland there are a particular Bible in stone. Photography by Filipe Almeida. Copyright©Archaeotravel.

In Favour of Rome and its Church

Bewcastle Cross is possibly earlier than the Cross in Ruthwell. It may be because Bewcastle Cross is simple and more precise than Ruthwell Cross. Moreover, it seems mild and its forms less sophisticated. The both have been assigned to the second half of the seventh century. Yet, their age is still being discussed. They are likely to date from after 675 when Benedict Biscop and Ceolfirth brought masons, glaziers and metal workers from abroud (mostly from Gaul) to work in building their new monastery, the likely base from which the team came to carve Bewcastle Cross. They were filled win an ardour for Rome, Benedict visiting it five times. They were so fascinated with the culture of the Continent so  they brought back books and such artifacts as icons, paintings, sculptued objects, so models for their creations on the British Isles. By these means, they followed the Continental art and fasion to adorn their churches, which included Biscop’s Monkwearmouth and Jarrow, founded respectively in 674 and 681, and Wilfrid’s Ripon and Hexam, said to be the largest church north of the Alps. So the Anglo-Saxon clerics brought back books but they also created books here in Northumbria in the so-called Twin Monastery.

Accordingly, Monkwearmouth & Jarrow, were very romanized; they accumulated great models, illuminated books, manuscripts, created there at the scriptorium, which were yet modeled on the Continental artifacts. And this Monastery was also very important because in Jarrow there was a historian of the English history, Bede the Venerable. So, he created a very important historical account of the Anglo-Saxons, the so-called Ecclesiastical History of the Anglo-Saxons, which was biased,  still it gives today a great insight especially in the eighth century. Bede died in 731. He actually spent all his lifetime in Jarrow from nine years old till his  death in the eighth century but still he had a lot of information from around.

From Cumbria to Northumberland

After leaving behind County Durham and legendary lands of Prince Bishops, we resumed our journey northward, along the Northumberland Coastline, designated as an Area of Outstanding Natural Beauty and, finally, we arrived to Norham, with another medieval church dedicated to Saint Cuthbert and the twelfth century Castle of Prince  Bishops, whose power once reached even there, furthest to the north, at the border with Scotland.

Featured image: Bewcastle Church and the Shaft of Bewcastle High Cross. Photo by Felippe Almeida. Copyright©Archaeotravel.

By Joanna
Faculties of English Philology, History of Art and Archaeology.
University of Silesia in Katowice, Poland;
Cardinal Stefan Wyszyński University in Warsaw, Poland;
University College Dublin, Ireland.

BIBLIOGRAPHY:

Brown, M. P. 2003. ‘Painted Labyrinth. The World of the Lindisfarne Gospels. (London, The British Library).

Lethaby, W. R., 1912. ‘The Ruthwell Cross’, in The Burlington Magazine for Connoisseurs, June, 1912, Vol. 21, No. 111, pp. 145-146.

Saxl, F., 1943. ‘The Ruthwell Cross’, in Journal of the Warburg and Courtauld institutes, Vol. 6, pp. 1-19.

Thomson, Dr D., [date uknown]. ‘Bewcastle Cross’, in Bewcastle [Official Website] (https://www.bewcastle.com/bewcastle-cross; accessed 19th May, 2023).

 

 



  

Abbey Inscribed in Life of Christian Community

More generally speaking, an abbey is a Christian community of monks overseen by an abbot, or of nuns by an abbess. Precisely, it is a monastic complex focused on a church or even a cathedral. In terms of architecture, the church stands for the main building of that community. The whole abbey is composed hence of various sacral buildings of a different purpose, associated with a set of usable rooms, such as a scriptorium, library, dining room, bedrooms, the kitchen or other utility rooms. Any abbey’s layout is dictated by the founding order. The idea of creating an abbey had been developed throughout centuries.

The monastic ideas first appeared in the Egyptian desert, in the fourth century, together with such great anchorites as Saint Anthony and Saint Paul the Great who lived in an isolated place, far away from urbanist centres, in order to offer their life to God through the ascetism. Their godliness started to attract much attention of others who followed Saint Anthony into the desert. In such a way, first monastic communities started to grow; they were usually composed of small cells around the place where a hermit dwelled. With time, an original eremitical life changed into coenobitism, whose idea was continued by another Egyptian monk, Pachomius, who introduced a set of significant architectural elements; firstly, the church, monks’ cells, refectory (dining hall), kitchen, infirmary (hospital), and guest house for the community’s gatherings. The whole architectural complex was surrounded by an enclosure with strongholds. Such communities were known either as the laurae or caenobia.

Such a monastic progress was also observed in Hiberno-Scotland, where early medieval ascetics first built beehive huts in remote places, such as bogs or lonely islands, and then proceeded to constructing larger communal monastic sites with oratories, scriptoriums and stone high crosses. The idea of abbey as the ecclesiastical formation had already been known in early Christianity, for both male and female communities, but its Romanesque and Gothic variant was primarly spread by the Benedictines, whose order slowly replaced Insular way of worshiping God by an anchoretic life. The term ‘abbey’ originated either from Latin word abbatia or Aramaic abba, which refers to the idea of fathership. Hence, an abbot or an abbess. The title of an abbey for a monastic complex has been approved by the Holy Church of Rome, so although the term abbey can refer to each monastery with such a title, not all the monasteries can become an abbey. In England, abbeys were established by the Benedictines but after the Reformation of the English Church, they were transferred into cathedrals, though their names still include the term “abbey” (e.g., Westminster Abbey).

In the case of an abbey, it is a self-sufficient and autonomous structure. It is rather open to visitors, where at least a group of twelve monks lead a more communal life than in the case of a monastery, while the latter can be secluded and closed for people coming from the outside. Whereas a monastery is usually established to provide a dwelling place for monks and hermits, an abbey is the seat of an abbot to supervise the conducts of monks. Therefore, the community of an abbey follow their religious and daily duties under control of their abbot, and even train young ecclesiastics. In such a sense, the term abbey can be understood as a version of a monastery but of an untimelier idea of the monastic life. See: The Middle-Way Point of the Angels’ Battle in the Piedmont Region).

BIBLIOGRAPHY:

Admin, 2012. Difference Between Abbey and Monastery, in Difference Between. com. Available at <https://bit.ly/3RABOnu>. [Accessed 4th February, 2023].

Davies, N., Jokiniemi, E., 2018. Dictionary of Architecture and Building Construction, p. 3. Oxford: Architectural Press is an imprint of Elsevier.

Julita, 2010. ‘Difference Between Abbey and Monastery’, in DB Difference Between.net. Available at <https://bit.ly/3l3PLOl>. [Accessed 4th February, 2023].

‘Abbey’, 2022. Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3Ysx7hH>. [Accessed 4th February, 2023].

The Middle-Way Point of the Angels’ Battle in the Piedmont Region

Turin was very warm but covered in clouds yesterday so I was afraid of an inclement weather on the following day, when together with my travel companion and friend, Gosia, we were going to climb up the Alpes. Our destination was the famous sanctuary of Sacra di San Michele; its impressive silhouette has perched on Mount Pirchiriano, which is jutting out at almost 1000 meters (exactly 936m) above sea level in Italian region of Piedmont, in the Alpes.

The Egyptian Museum and the Shroud of Turin

Piedmont, or ‘Piemonte’ in Italian, literally means the “land at the foot of the mountains”. It is located in the north-western part of Italy, bordered to the north by Valle d’Aosta and Switzerland, to the east by Lombardy and Emilia-Romagna, to the south by Liguria and to the west by France. This beautiful land offers a lot of various attractions and breathtaking views, from beautiful alpine lakes and mountain landscapes to charming monuments and towns with vineyards. The region is also famous for delicious food, offering local cheese, truffles, and chocolate, not to mention delightful Piedmont wine and beer!

One evening, we went for a famous Italian dessert, which is undoubtedly tiramisu, and another time, we enjoyed by sharing a good portion of bagna cauda, which is a real speciality in Province of Piedmont: melted cheese, with olive oil and butter, flavoured with fresh anchovy and garlic, and all of that served in a hollowed-out bread, and with various snacks for dipping. Actually, Autumn and Winter seasons are just perfect moments for tasting fondue as it warms you up, and we were just in time for tasting it, visiting the region at the end of October.

Piedmont’s capital is Turin – the second largest cultural and economic centre in northern Italy, which can boast one of the greatest collections of ancient Egyptian artifacts, preserved by the Egyptian Museum (see: Acrobatic Somersault of the Egyptian Dancer from Turin), and the holiest relic of Christianity, which is the Holy Shroud (Santa Sindone), also known as the Shroud of Turin, because t is well-kept-up at the seat of the Archbishop of Turin, namely, inside the Cattedrale di San Giovanni Battista. Although it is not possible to see it but on special occasions, the faithful always have an opportunity to approach the chapel, where it is preserved.

Along the Demonic Rift, on the Fourth Stop on Saint Michael’s Sword

The architectural symbol of Piedmont is, however, Sacra di San Michele, which is also called Saint Michael’s Abbey, located above the municipalities of Sant’Ambrogio di Torino and Chiusa di San Michele. Either you follow ‘Saint Michael’s Sword’ from north southwards, as we do, or from the south northwards, that would be the fourth, out of seven stops on the pilgrimage way dedicated to the Archangel Michael. The complex lies also on the route of ‘Via Francigena’, an ancient pilgrim path from Rome to Canterbury, and while it is followed southwards, it is called Via Romea. The fact that Sacra di San Michele is the fourth stop on the pilgrimage path, either way it is taken, it is so half-way of the whole Line. Consequently, Sacra di San Michele is also located just in the middle of the ‘Via Michaelica’, namely the section of Saint Michael’s pilgrimage path between the two ancient and most significant monastic sites of Saint Michael, namely Mont Saint Michel in Normandy, in northern France, and Santuario di San Michele Arcangelo on Monte Gargano, in southern Italy. Precisely, there are 1000 kilometres from each of those sanctuaries to this half-way pilgrimage stop, which the Mont Pirchiriano used to be in the past, before it actually grew in significance, as an abbey and a strategic point on the way, which is believed to have originally been traced by the Archangel himself, with his sword carried against demons.

A legend goes that a furious battle in heaven opened a long rift, stretching from Mont Saint Michel to Monte Gargano, by which some of the fallen angels were devoured before it closed back, creating the original way of the triumphant Archangel. Consequently, although the rift is not visible today, its presence is still marked by ‘Via Michaelica’. From the Middle Ages, the route was followed by pilgrims and today, by both, pilgrims and tourists, looking for an authentic experience of feeling the mysterious past.

Welcomed by the Archangel at the Foot of His Abbey

Saint Michael’s Abbey is located nearly 30 kilometres in a direct line, north-west of Turin. It takes less than an hour to reach the place by car but there are also good train connections from Turin to nearby towns, such as Saint’ Ambrogio di Torino, Avigliana or Chiusa di San Michele, from where you can either take a pilgrimage trail or a taxi to drop you just at the foot of the Abbey. We decided to call a taxi in the morning to get to the Sanctuario from Turin, and come back by train from Saint’ Ambrogio.  It was dictated by a need to arrive on Mount Pirchiriano just before it opens to avoid larger groups of people filling in the space of the complex. Moreover, we were not in a good physical shape to do trekking up from Sant’Ambrogio, which is quite steep and difficult to follow. Our taxi stopped in the park in the Piazzale Croce Nera, which is 500 metres from the Abbey. Despite my worries, the weather on our day of meeting with the Archangel turned out to be exceptionally good; a lot of sunshine with a light breeze from the Valley of Susa made our walking tour an agreeable experience. The road led us through a shadow of trees, between which an impressive corpus kept emerging with reddish and blueish colours between their branches. Just at the foot of its massive entrance, we were warmly welcomed by a modern statue of the Archangel with his sword embedded in the rocky foundation of the abbey.

Saint Giovanni in the Val of Susa

The Pirchiriano Mount’s name is quite ancient and means ‘pigs’, as much as the nearby Caprasio stands for ‘goats’, and Musiné for ‘donkeys’, which may be related to ancient beliefs of the Celts who had lived in the region till the mid of the first century AD.

Some monumental remains on the Mount witness to a story that the Pirchiriano had already been a military stronghold built by the Romans, who venerated there mostly unidentified Alpine deities. Longboards, who occupied the site between the sixth and the end of the seventh centuries, were successively replaced by the Carolingians, who left the Pirchiriano by the end of the ninth century, giving their way to the Saracens. Finally, the Pirchiriano Mount was entrusted to the Bishop of Torino, and by the end of the tenth century, first hermits arrived in the region and they mostly inhabited the Valley of Susa, in the north of the Pirchiriano. They mainly shared their desire for lives in isolation, entirely devoted to God by anchoritism of the Irish monks who had sought out a deserted place in the wilderness to fulfil their mission. Among hermits coming to the Valley of Susa, there was a monk, called Giovanni Vincenzo, who was one of Saint Romuald’s (951-1027) followers and students. The latter was a wandering reformer of Italian monasticism and hermitages, and responsible for the so-called ‘Renaissance of eremitical asceticism’ in Italy. In his mission, he was stimulated by the form of monasticism parallel to the original eremitism once founded in Egypt, which was then transplanted to Hiberno-Scotland (modern-day Ireland and Scotland). From there, such monastic ideas may have spreaded southwards, together with Irish monastic foundations in Europe.

Giovanni Vincenzo lived in his Celle on the Mount Caprasio. According to his hagiography, Giovanni, later canonized as a saint, was born in Besate around the year 955, and he was around 45 years old when he died.  The same records testify that he was appointed the fifty-seventh archbishop of Ravenna, under Pope John XIV, in the year 983, with the name of John X. After the accounts, he held the archdiocese between 983 and 998 over the decades, in which the empire was governed by the successive emperors of Otto dynasty. In this period, as evidenced by the history of Ravenna, the Kingdom of Italy was united with that of Germany within the Holy Roman Empire, and Otto, one of the main Emperors of the Holy Roman Empire, set Ravenna as its capital. In 998, Giovanni Vincenzo retired as a hermit on Monte Caprasio in Val di Susa in the natural caves near the town of Celle, where he died around 1000 AD.

On 12 January 1150 his body was transferred to the parish church of Sant’Ambrogio in Turin, currently the church of San Giovanni Vincenzo, which we also had an opportunity to visit on the way back from the Sacra di San Michele. San Giovanni has become the patron saint of the community of Sant’ Ambrogio di Torino. However, some scholars claim there were actually two hermits called Giovanni, whose hagiographies had once merged into one story. They suggest that Giovanni who was actually involved in the legend of Saint Michael had never been the archbishop but a later need for his ennoblement in the eyes of the faithful made him be identified with the apostolic head of Ravenna. Anyway, we may not be allowed to know what was the true story of the saint.

Saint and the Archangel

But what did Saint Giovanni have to do with the Archangel? And what did trigger the process of building the monastery of Saint Michael on the Mount Pirchiriano?

The cult of the Archangel itself had developed within the Judeo-Christian tradition and was brought to life in the East, in places similar in landscape to the sites of sanctuaries along the Archangel’s Axis, namely in isolation and in elevated places. The worship of Saint Michael may have migrated to Italy in the fifth century, as his first recorded apparitions happened in around 450 AD. on Monte Gargano. It is possible that Saint Michael was also worshiped on the Pirchiriano by Longboards, between the sixth and seventh centuries, so long before there was the very first church built in his devotion. The origins of the Abbey are itself shrouded in mystery, and the only source of information on its beginnings is given by two legends, later described in the chronicle of the Monastery. They are both beautifully illustrated in the “Fresco of the Legend”, inside the church of the Sanctuary, which explains the circumstances of the foundations of the Sacra di San Michele.

As the legend goes, Saint Giovanni experienced several apparitions of Saint Michael. It may have happened either when he retired from his function as the archbishop, if we accept that version of his hagiography or yet before he actually became the archbishop. The former is more probable if it is assumed that follow-up constructing works changing the initial church into a Romanesque abbey started between 983 and 987. It is also important to underline that the Saint lived at the verge of the period in which the fear of the end of the world was very strong and frightening. With the new millennium, when the expected end did not come, the construction majestically grew in its structure and significance, as if it was an expression of mankind’s gratefulness sent to the Heavens.

There are no Better Construction Engineers than Angels

The known tradition says that Saint Michael ordered San Giovanni to erect his church on the Mount, as much as it earlier happened in the case of Saint Aubert in Normandy. San Giovanni was less reluctant in fulfilling Saint Michael’s demand than the Saint from Mont Saint Michel, and he started to build the church on the Mount Caprasio, where he lived, and which was famous for praying hermits. The works he started, however, could not be completed because the stones laid during the day (in other version, which is more possible, it was wood) mysteriously disappeared at night. San Giovanni was sure the stones were stolen by some thieves, he stayed awake to guard site of construction. Yet, what he saw at night terrified him greatly, as he discovered that the thieves are actually angels, who transported the stones on another mount nearby, which was the Mount Pirchiriano. Then San Giovanni understood it was Saint Michael’s desire to build his church just there, on the opposite mount. After this miraculous event, the Saint obediently followed the angels to the Pirchiriano, where he set up his new hermitage and continued to build the Archangel’s church.

The first legendary building was actually a very small church, constructed with the help of angels, or according to a different version, entirely built by human hands, whereas the angels had just brought the needed building material and so the miracle of constructing the church was continued by people. Nonetheless, it was consecrated by the angels, or by the Archangel himself, which explains the name of the Abbey as Sacra: consecrated, thus sacred. Very similar legends of angels involved in building sacred sites abound; the most famous is a folk story of the construction of the eleven churches of Lalibela in the twelfth century, in Ethiopia, where angels helped people in their construction, by taking a night shift position. On the other hand, the pseudographical text of the Testament of Solomon reads that there were fallen angels summoned by King to build the Temple, what they did in fear of the power of God’s angels. Accordingly, the mentioned ‘Fresco of the Legend’ shows angels, along doves, who transfer the wood from one mount to the other. There is also depicted the Bishop of Torino, Amizzone, who was coming to the Pirchiriano with the intention of consecrating the church, when he found out it had already been consecrated by the angels.

Ugo di Montboissier’s Penance

The second part of the legend, or the second legend, tells a story about the Abbey’s later founder, namely, the Count Ugo di Montboissier, who once encountered the hermitage of San Giovanni on the Mount Pirchiriano, with a simple church, or rather a complex of three small chapels built onsite dedicated to Sain Michael. The Count had actually been looking for redemption for his sins. The Pope gave him a choice of his penance: either he would go for an exile, which would be for him a religious pilgrimage, or he would give foundations to an abbey. Having known the history of the church on the Pirchiriano, Ugo finally decided to continue building works there on a much greater scale than before.

The Fresco shows him leaving the town of Susa and heading off to the Pirchiriano in order to establish the Monastery. The foundation was entrusted to Benedictine order, different in its organisation and ideals from the previously established Insular monasticism. In the thirteenth century, Saint Michael’s Abbey lived its Golden Age, when its majestic Romanesque silhouette gained additional Gothic additions. Nerveless, the decay of the Abbey came together with the fall of the Benedictines. Consequently, after 600 years the Abbey stayed abandoned, that is to say it till 1836, when it was entrusted to Rosimini Fathers on behalf of the Vatican. In was also then when the bodies of the Savoy family were moved from Torino to the Sacra, giving the beginnings to the “Trail of Princes” (or Nobles). The Rosimini Fathers are still in the Sacra, taking care of the monument as the symbol of the region, and a very important witness to the glorious past, and of Saint Michael’s intercession.

“Antica Mulattiera” and the “Trail of Princes”

Due to the fact that Sacra di San Michele has been a significant destination as the pilgrimage site, there are a few trails around the Mount, which are perfect for doing trekking. I would recommend the mentioned above out-and-back trail, which is called the “Trail of Princes” and starts in the community of Avigliana, yet it can also be done from Mortera, to finally arrive at Mont Pirchiriario. The name “Trail of Princes” was coined after 1836, when a funeral procession brought twenty-four corpses of the nobles of the Savoy family, along the way from the cathedral of Turin to the Abbey on top of the Mount!

The entire “Path of the Princes” takes around 3 hours (9 kilometres) to be completed and is of a moderate level of challenge. When there are less travellers, one can rally enjoy solitude and beauty of the path itself, which amazing panoramic views of Sacra di San Michele and the lakes of Avigliana. Yet, we did not follow that path back that time. Instead, we chose the trail of Antica Mulattiera, which means as much as the ‘Mule Track’. It is the most ancient forest path that curves up in zig-zags along the way from Sant’ Ambrogio to Sacra di San Michele, and back; it has been used as a traditional way of approaching the Abbey for at least a thousand years. It is quite steep and rugged, and hence demands from visitors to be in a better physical shape.

Climbing down towards Saint’ Ambrogio

We slowly descended worn-away cobblestones of the road, moving forward the town below, and catching glimpses of the towering Abbey behind us. For those, who are just making their way up with great effort, its silhouette must be a real promise of rest, and so also a desirable destination. While climbing down, we encountered there 15 stone crosses at the windings of the road, each representing one of the Stations of the Cross.

It allows us to travel back in time and join in mind medieval believers, where a pilgrimage was an integral part of Christian life, even though modern pilgrims changed today in tourists, looking for pleasure in hiking, inspiring views and food tested on the trail, and much less in Christian religion and its angels. You can still be on a spiritual search for your destiny, and enter, in the way a medieval pilgrim did it, into the grandeur of nature that eventually explodes in manmade (and angel made) complex of Saint Michael’s Abbey. Then you can observe how its architecture merges into the tissue of natural landscape. At the final section of the path, we additionally encountered wooden characters, as if taken straight from the Land of Oz.

Before us, the gate to Saint’ Ambrogio opened, with its church just below the steep alpine slope of the Mount and the outline of the Sanctuario, high above, crowning its top. Such a beuty of architecture and nature inspires feelings of transcendence and creates a continuation of the legend also in modern literature. In the imagination of an Italian debuting writer, Umberto Eco, Sacra di San Michele became in 1980 a perfect setting of a mysterious murder within the walls of Benedictine Abbey. Although it is only a literary fiction, the Abbey itslef stimulates an atmosphere of mystery; its large and steep stairway is called the Stairway of the Dead, where a few tombs with skeletons of Benedictine monks were found in large niches, and each of them had his own history. Yet, “the silence of the centuries dominates everything” (Traverso, 1992:11).

By Joanna
Faculties of English Philology, History of Art and Archaeology.
University of Silesia in Katowice, Poland;
Cardinal Stefan Wyszyński University in Warsaw, Poland;
University College Dublin, Ireland.

BIBLIOGRAPHY:

All Trails, 2023. ‘Sentiero dei Principi’ (2023), in alltrails.com. Accessed on 28th January, 2023. Available at <https://bit.ly/3HynyrR>.

Kosloski, P., 2020. ‘How St. Michael helped build Sacra di San Michele, in Comics’, in ‘Voyage’. Accessed on 28th January, 2023. Available at <https://bit.ly/3kI2dTL>.

Rogano, F., 2017. ‘The legend of Saint Michael’s Abbey – Sacra di San Michele in Piemonte’, in Emadion. Accessed on 28th January, 2023. Available at <https://bit.ly/3H67mfO>.

Top Most Beautiful Places in Europe, 2019. ‘Val de Susa’, in ‘Sacra di San Michele’, in themostbeautifulplacesineurope. Accessed on 28th January, 2023. Available at <https://bit.ly/3Hdw91R>.

Top Most Beautiful Places in Europe, 2019. ‘Sacra di San Michele, Italy’, in ‘Sacra di San Michele’, in themostbeautifulplacesineurope. Accessed on 28th January, 2023. Available at <https://bit.ly/3Hdw91R>.

Traverso, O., 1992. Sacra di San Michele. Monumento Symbolo del Piemonte. Genova: Edizioni D’Arte.

A Tale of the Deeds of Tuatha de Danann and the Formorians – the Race of Giants

Archaeological Tour organised by Tour Partner Group (TPG), previously Irish Welcome Tours. The tour runs from minimum 5 participants. Maximum: 10 participants.

DAY 1: Dublin

Visit at the National Museum of Archaeology in Dublin. You will listen to an informal lecture on Prehistory of Ireland with the classification of megalithic tombs and a rich history of stunning archaeological finds. Then we are going to see Giant’s Graves in Co Dublin: Ballyedmonduff Giant’s Grave. It is one of the Ireland’s finest wedge tombs. The site is reached by way of a walking trail from a gate on Ballyedmonduff Road (see: Ballyedmonduff Wedge Tomb Within the Lore of Giants). Next, Brennanstown Giant’s Grave, which lies in the valley of Glen Druid about a mile southwest of Cabinteely. It is a hugely impressive portal tomb known as Brenanstown Dolmen.

The term Giant’s Grave is probably the most widely used as far afield as Ireland, Sardinia and Denmark. It can be readily understood how giants were invoked to explain these monstrous architectural achievements (Evans, 1938). Legends of giants, who undertake extraordinary feats are very common in Irish mythology. These legendry tales were usually used by the 18th century Victorian Antiquarians and earlier writers. Already in ancient times, these so-called romantic concepts had abounded with possible origins of the builders of great megalithic structures, not only in Ireland but worldwide (Powell, 2012).

The below evening activity is available only for the dates: 18 April and 20 June:

An evening of folklore and fairies (it does not include meal).

A Tale of the Deeds of the Tuatha de Danann and the supernatural race of giants – the Formorians. This unique, authentic and entertaining evening of Irish storytelling offers a memorable night out in Dublin. Guests are enchanted by stories of Irish life long ago and gain fascinating insights into the beliefs surrounding the fairy world and Irish rich culture of storytelling. Take your imagination back in time as you listen to the magical tales of Irish Folklore our ancestors shared when they gathered around the fire at night. You will leave this unique evening with a deeper understanding of Irish culture and the Irish landscape, bringing the stories of Ireland with you on your journey

One Night stay in Co. Dublin

DAY 2: Co. Louth & Co. Antrim

Welcome to the Land of legendary Giants. For some reason they had once chosen Ireland for their dwelling. Next stop is Proleek known as the Giant’s Load – imposing and masterful.  The dolmen is said to have been erected by the Scottish giant named Parrah Boug McShagean, whose body was buried nearby (Dempsey, 2008). Local legend claims that the dolmen dates back to a battle between a Scottish giant Para Buidhe Mór Mhac Seoidin and the Irish mythical hero Fionn Mac Cumhaill. Para challenged Fionn mac Cumhaill to combat, but Fionn poisoned the nearby river and Para drank from it. Another local tradition claims that if a visitor puts three stones atop the dolmen, they will be granted a wish, or will be married within the year.

Afterwards, we travel by the ancient lands of the High Kings of the Kingdom of Ulaid stopping to visit the Navan Fort. It is a place where myth and reality meet. It is one of Ireland’s most famous and important archaeological sites. Legends say that Macha, the ancient goddess of war and fertility, scored the earth with her brooch pin and traced the famous outline of this sacred stronghold of the hero Cu Chulainn, home of the famous Red Branch Knights and Ulster Cycle of tales. Cú Chulainn and Finn McCool are two of Ireland’s best-known mythological heroes and legend has it they were both giants often fighting each other on the Connemara Mountains.

Beaghmore – a whole set of seven stone circles is our next stop. An enigmatic site described as a transportation portal in the book The Giants of Glorborin: Ancient Conflict in a New World by Jim Murdoch. Then, we will be passing by the Lough Neagh. The giant Finn McCool, who had a hand in many a ruction in the north, had made the lough by scooping out a huge fistful of earth to throw at a retreating English giant; it fell into the Irish Sea and became the Isle of Man. We will have an opportunity to explore the Giant’s Ring: the hedge at Ballynahatty is just so impressive, measuring almost 200 metres in diameter with an embankment almost four metres high in places. This hedge is an enormous amphitheatre with the remains of a passage tomb as a focal point (Dempsey, 2019).

One night stay in Co. Antrim

DAY 3: Co. Antrim

The below acivity is offered only in an itinerary available for the dates: 19 March and 18 April, 2023:

Departure from Belfast to Doagh Holestone – 1.39 m (4.5 ft) tall standing stone, with its prominent perforation, is known locally both as the Holestone and the Lovestone. The reason for the first name is evident, while the second name for the stone requires a bit of explanation. While some holed stones in Ireland are known for oath-making and others for use in childbirth. The Doagh Holestone, 1.6 km outside of Doagh on Holestone Road, has acquired a reputation as the place to exchange marriage vows. Although the waist-high hole in the pillar is but 8 cm in diameter, it is sufficient for a woman’s hand to pass through, where she may grasp the hand of her intended on the opposite side of the stone. It may be that such ceremonies had their origin in an era when clergy were not conveniently available in rural communities, and a betrothal using the Holestone was good enough, according to local custom, to avoid the stigma of an illegitimate birth. A priest or the civil authorities could then later ratify the marriage when one was available.

The below activity is available only in an itinerary for the date: 20 June, 2023:

If you like cliffs and do not be afraid of the void, then we recommend you to visit the Gobbins! Famous throughout the country, this place is a hiking trail dug into the cliff, and will take you along the northern Irish coast. Breathtaking landscapes guaranteed! A walk along The Gobbins Cliff Path is more than just a fun day out in nature. Its a journey through time and into the elements. You’ll gain a new perspective on the sea, on Northern Ireland’s landscape and on yourself. 

Torr Road-Ballycastle, undoubtedly one of the most scenic drives in Ireland affording views of Scotland and the Scottish Isles. Stop to admire and take photos of Dunluce Castle. Then, walk in the footsteps of giants and discover the secrets of the stunning Causeway Coastal Route. Giant’s Causeway is a gigantic geological formation consisting of more than 40,000 hexagonal basalt columns, some of which reach up to 12 meters high!  According to the legend, the columns are the remains of a causeway built by a giant. The story goes that the Irish giant Fionn mac Cumhaill (Finn MacCool), from the Fenian Cycle of Gaelic mythology, was challenged to a fight by the Scottish giant Benandonner. At the same time, the story is related to the origins of the Lough Neagh.

One night stay in Co. Derry.

DAY 4: Co. Donegal

Departure from Derry

Next, we will head off to Malin Head and take a circular walk around it, which is the northernmost point of Ireland. Our walks starts at the car park close to Lloyd’s Tower, at the highest part of the headland. Shortly after setting out keep an eye open for a 30m deep chasm through which the sea roars; it is called locally Hell’s Hole. Soon the gravel path comes to an end, and after a sign warning about the cliffs, a more natural meandering path continues to the extremity of Malin, a place called Banba’s Crown. The ancient Book of Invasions says that Banba, with three men and 150 women followers, was the first woman to invade Ireland, and her name has become one of the ancient names of the island, the others being Fódla and Éire. It is wonderful to sit on the clifftop, in the midst of the sea pinks and watch the Atlantic. Legends say that Tír na Nóg, the land of permanent youth and health, lies to the west, in the path of the sun. You are at the most northerly point of Ireland. To the southeast, the rounded mountains of Inishowen roll westwards to Dunaff Head, while to the north, over the horizon, only the Outer Hebrides interrupt a straight line to the Arctic. Time of the walk: 1 hr 30.

Prehistoric rock art, Inishowen, County Donegal: the Isle of Doagh in Inishowen is one of the most important sites in Western Europe for rock art dating back to at least 3000 B.C. There are more than 40 known sites (the biggest collection in Ireland) with two new discoveries having been recently made close to the Isle. Most of the sites consist of cup-and-ring art, but very little is known about their significance. It is speculated that in ancient times the Isle of Donagh may have been considered a sacred island. Time of the: 1 hr 30 minutes.

Finally, welcome to the ancient kingdom of the mystical Tuatha de Danann and the site of their ancient seat at the Grianan of Aileach Fort. The origins of the fort are dated back to 1700 BC. It is linked to the mysterious invaders who came to Ireland before the Celts and built stone forts on top of strategic hills and fought against a fierce race of giants. This area of Inishowen is one of the richest in the country for historical monuments and nearby you can find ancient passage tombs, early Christian churches, rock art and some of the earliest Celtic crosses.

One night stay in Co. Donegal

DAY 5: Co. Donegal (Tory Islnads). An additional day offered only for 20 June, 2023.

Today, we will satnd face to face with Balor of the Evil Eye. We will first take a ferry from Magheroarty to cross the sea. County Donegal’s Tory Island is a beautiful spot to visit, home to distinctive scenery, monastic ruins and locals with fascinating stories to tell. There were, it seems, many giants hereabouts once. You would never know that one of mythology’s most fearsome men is said to have lived here once. Balor of the Evil Eye a mythical Cyclopean giant and demon, made Tory his island and Tor Mor, a tower on Tory, his fortress. Balor was a ruthless and brutal giant with a singular, poisonous eye on his forehead that unleashed a fiery devastation when opened. It was on Tory that he ruled and imprisoned his only daughter, Ethnea, until she betrayed him and brought about his downfall. The place was named Torach, the Island of Towers, for its high broken cliffs. There are shattered black buttresses, pillars, and towers of basalt. If you pass on the sea, you are often apt to mistake them for strongholds in ruins. Old legends assert that the castellation was the pastime of giants. 

Take up this invitation and you certainly won’t be disappointed: make your way to the top of Dún Bhaloir – the legendary fort of Fomorian chief, Balor – and you’ll be surrounded by 90-metre-high cliffs as you gaze out across the wild, roaring Atlantic. We will also visit An Chros Tau (The Tau Cross), an iconic cross dating back to Colmcille’s monastic period (6th century). The intriguing Cross suggests early seafaring links to the Coptic Christians of Egypt. Carved from a single slab of slate, the island’s fishermen pray here before heading out to sea. Whilst exploring Tory, you may also find a graveyard with a very mysterious backstory. In September of 1884, the HMS Wasp set sail for Tory, with the unenviable task of collecting rent from residents and overseeing evictions. Disaster struck in the wee hours; the ship hit rocks and sank. Though the reasons for the sinking have never been fully established, many islanders attribute the Wasp’s demise to An Cloch Mallacht (their Cursing Stone). Dating back to Druidic times, the stone could supposedly be used to release negative forces on enemies. Six Wasp crewmen survived the tragedy, while eight of the dead are buried in the island’s Reilig Ghallda (Foreigners’ Graveyard). 

Second night stay in Co. Donegal

DAY 5/6: Co. Donegal & Co. Sligo

Departure from Letterkenny. Stop at the Poisoned Glen, which lies at the foot of Mount Errigal, the tallest peak of the Derryveagh Mountains range. It is one of the most renowned areas for its sweeping valleys, imposing mountains and shimmering lakes. Glen received its name from Balor of the Evil Eye, the one-eyed Chieftain who lived on Tory Island. Balor had a gorgeous daughter who he kept closed away in a Tower out of men’s view. However, word of her beauty spread and she was kidnapped and brought to Magheroarty. It’s thought that Balor was killed by a rival chieftain in the Glen with a spear through his eye. The blood poured from Balor’s eye turning the Glen red and splitting the great stone Cloch Hatán in 3 parts.

In his brief discussion of the Kilclooney Dolmen and its environs, R. Æ. Baillie concludes that, with dolmens’ history lost, “…it must ever remain a mystery how those huge stones were lifted up and carried, often considerable distances.” Was it a feat of giants …? But perhaps the biggest mystery about this portal tomb is why there is a miniature dolmen doppelgänger, with its capstone on the ground, only 5 m (16.5 ft) away.

Next, we will follow the road to Cloghanmore Megalithic Tomb and Mallin More Megalithic cementary. “The Great Stone Heap” was discovered in the mid-nineteenth century. Strikingly unique of this court tomb is that its two secondary burial chambers each contain something not found in any other court tomb: an orthostat with the signature rock-art designs of the Irish passage tomb. While not nearly as numerous nor as complex as the decorations at the Newgrange or Loughcrew passage tombs, characteristic passage tomb art on the two stones was noted when the monument was first discovered. Then we shortly stop by Slieve League Cliffs – Ireland’s ultimate sea cliff experience. Afterwards, we make our way to Sligo and will see beautiful Ben Bulben and listen to the legend of Diarmuid and Gráinne. 

Night Stay in Co. Sligo

DAY 6/7: Co. Sligo

We start from Carrowmore Megalithic Site. It’s one of the most dense concentrations of megalithic tombs of different categories. Portal, court and wedge tombs usually are nicknamed giant’s graves. It’s the largest megalithic complex in Ireland and a not-to-be-missed experience for anyone interested in Irish history, pre-history, original peoples and settlements, or for those just curious about huge, ancient ruins…and how they might have gotten there. Walking along the paths beside the monuments gives many opportunities for taking photographs and asking questions of the brilliant local guides. 

“The road winds gently upwards on ever narrowing roads, until the last of the cottages is left below […] The cliffs, green and limestone grey, rise on each side of you now and are peaked in many places by sudden domes, like bald-headed giants rising above the hill tops” (Chris Thompson, Story Archaeology, 2012). The 15 passage tombs of the Carrowkeel Complex lie on this line created by the eastward spread of Neolithic burial practices some 6,000 years ago. It is also the site of a mythical Battle of Moytura which took place between the Tuatha de Danann and the ancient giants of Ireland.  Lured from his stronghold on Tory Island, Balor the Giant was blinded in battle and mistakenly burned his own army to the ground. A huge hole was seared into the earth and later, filled with water, becoming Sligo’s Loch na Sui: the Lake of the Eye.

Heading off to Co. Cavan and Cavan Burren Park. Folklore tells that two young giants, Lugh and Lag, challenged each other to jump a gorge in order to show off to the female giant whose love they both sought. Unfortunately, Lag fell to his death. But that’s how the Giant’s Leap Chasm got its name. And the nearby Giant’s Grave, where Lag is said to lie, is a wedge tomb built to its striking shape some 4,000 years ago. Whatever folklore says, facts can be even more fascinating. We will follow The Giant’s Leap Trail (2.7km). Duration – Approx. 50mins on bog-bridge and gravel path terrain with a 35 metre climb.

Second night in Co. Sligo

DAY 7/8: Co. Fermanagh

Departure from Sligo and climb up the slopes of the Cuilcagh Mountain often referred to as Ireland’ Stairway to Heaven. The view that you’re treated to from the top of the Cuilcagh Boardwalk is pretty special.

It’s along one of those surprising roads less travelled – and an experience to really make your day. Layers of history peel back to reveal a breathtaking wealth of natural and manmade features, all fused together into an exceptional prehistoric landscape. After your walk, take a tour of the spectacular Marble Arch Caves, which are a major tourist attraction, set in the picturesque foothills of Cuilcagh Mountain, just a short journey from the island town of Enniskillen in County Fermanagh, Northern Ireland. The landscape encompassing the Marble Arch Caves was formed over 340 million years ago. Today this natural environment of caves, rivers, mountains, ancient woodlands, waterfalls and gorges offer an opportunity for visitors to enjoy the incredible range of activities and experiences the Marble Arch Caves have to offer.

Finally, we head off to Co. Meath.

Night stay in Co. Meath.

DAY 9/10: Co. Meath

Heading off to the Boyne Valley. It will take you another step closer to the passage tombs of Newgrange and Four Knocks, one of Europe’s most dazzling megalithic sites. According to common knowledge, these were served as burials, however, studies in archaeoastronomy carried out by scientists such as Lomsdalen (2014) and Brennan (1994) show that megalithic architecture holds a strong relationship to the sky and thus some researchers argue these were originally astronomical devices.

Finally, we visit the Hill of Tara, known as Temair in gaeilge, the ancient seat of the High Kings of Ireland. It has been shrouded in myth and legend from the time of Tuatha Dé Danann right up to modern Irish history. In ancient Irish religion and mythology Temair was the sacred place of dwelling for the gods, and was the entrance to the otherworld. Saint Patrick is said to have come to Tara to confront the ancient religion of the pagans at its most powerful site. Sitting on top of the King’s Seat (Forradh) of Temair is the most famous of Tara’s monuments – Ireland’s ancient coronation stone – the Lia Fail or “Stone of Destiny”, which was brought here according to mythology by the godlike people, the Tuatha Dé Danann, as one of their sacred objects. It was said to roar when touched by the rightful king of Tara.

Second night in Co. Meath

DAY 10/11: Co. Meath

For volonteers, in the morning, a balloon flight over the Boyne Valley (only offered in itinerary for the date of 20 June, 2023). You should request it at the moment of booking the tour.

On this last day, we move to Loughcrew Cairns – Passage Tombs (see: Magic in the Hag’s Cairn of the Loughcrew Hills at the Equinox Rising Sun). It is a megalithic burial site dating from 3500BC-3300BC built on three hilltops. There are around 30 cairns and mounds dotting the site making it one of the largest megalithic burial grounds in Ireland. The site is known in Irish as ‘Sliabh na Cailleach’ which translates as ‘Mountain of the Witch’. (see: Sliabh na Callighe (Mountains of the Witch). Legends link the site with a witch called Cailleach Bheara who is also associated with such megalithic sites as CARROWMORE in Co. Sligo. According to another account LOUGHCREW was inhabited by a hag named Garavogue’. The story goes that the hag was a giantess who is said to have dropped huge heaps of stones from her apron onto the land as she jumped from hilltop to hilltop. The very same story is heard at other megalithic sites in Ireland and … in Malta. CAIRN T is the principal monument of the entire Loughcrew complex, sitting on its summit, the highest point in Co. Meath. Known as “The Hag’s Cairn,” it features a megalithic writing on its orthostats, which is read by the equinox sunrise. Its mystery has not been revealed … 

In the afternoon, you will be transfered back to the city centre of Dublin, from where you can either go to the airport or to your hotel in Dublin.

END OF THE TOUR

Requirements:

  • You should be equipped with waterproof clothes and appropriate footwear such as hiking/walking boots with a thick tread and ankle support. Trainers are not acceptable.
  • The itinerary includes moderate walking (1-4,5hrs) tours so a level of physical fitness is needed.

DATES & RATES:

GROUP CLOSED: LOW SEASON: 19 March, 2023 : 10 days/9 nights (available for booking till 5 February, 2023).

GROUP CLOSED: MEDIUM SEASON: 18 April, 2023: 10 days/9 nights (available for booking till 5 March, 2023).

18 April, 2023 : RATE FROM €3 000 per person.

GROUP CLOSED: HIGH SEASON: 20 June, 2023: 11 days/10 nights (available for booking till 30 April, 2023).

20 June, 2023 : RATE FROM €5 900 per person. *The rate includes all the extra activities for this date, an additional night in County Donegal, and an extra one-day guiding on Tory Island.

SERVICES INCLUDED IN QUOTE:

9/10 nights’ accommodation at the hotels 3*/4* suggested, double/twin rooms with private bath/shower. Single rooms on request.

9/10 full Irish Breakfasts at your hotels

An archaeologist and local guides specialized in folklore/archaeology (if a given tour is additionally guided). As an archaeologist, I myself will have the pleasure of showing you around Ireland.

Private driver-guide

Tory Island crossing (return) (only for 20 June, 2023).

Admissions to:

  • Evening of folklore and fairies (only for 18 April and 20 June, 2023).
  • Navan Centre Guided Tour
  • The Giant’s Causeway
  • The Gobbins* (only for 20 June, 2023).
  • Carrowmore Megalithic Site
  • Ferry return tickets to Tory Island*
  • Marble Arch Caves
  • Newgrange
  • Baloon ride* over the archaeological landscape of Boyne Valley (only for 20 June, 2023).

Service charges and taxes at current rates.

All services are subject to availability at time of definite booking.

NOT INCLUDED IN PACKAGE PRICE:

International flights

Beverages, lunches, dinners

Any other services not stated in the above

TERMS&CONDITIONS:

1. A non–refundable deposit is required to confirm the booking.  This is 10% of the whole rate per person.

2. In event of cancellation by a participant the following charges will apply:

a) booking deposit is strictly non-refundable (unless the tour is cancelled by Tour Partner Group).

b) 6 – 4 weeks before date of departure 30% cancellation charge will apply 

c) 4 -2 weeks before date of arrival 50% cancellation charge will apply 

d) 2 weeks or less before date of arrival 100% cancellation charge will apply

2. TPG is not responsible for any injury, accident or stolen goods – please get travel insurance and relevant visas before booking this tour and have a passport with at least 3 months past the end date of the tour.

3. Single travellers are very welcome. If we are unable to find your roommate or you wish to have a single room, there will be the supplement added to the total rate. Early registration will facilitate this process.

4. Please hold off booking your international flights, until the tour is confirmed in writing via email. TPG is not responsible for any costs incurred. Please email for further details.

5. Itinerary may be subject to change if circumstances arise beyond reasonable control.

6. TPG accepts no responsibility for losses or incidental expenses due to delay or change in schedules, hotel booking irregularities, defaults, accidents, sickness, quarantine, emergency, weather, strikes, war, travel restrictions, or other causes. All such losses are the sole responsibility of the participants. Please make sure you have travel insurance to cover all the unexpectable incidents.

Why with us? What makes us stand out?

  1. Carefully selected date of the trip. March (after Saint Patrick’ Day), and April are not so touristy months, and the time specifically builds up a unique ambiance of the archaeological landscape. June, in turn, promises a good weather and allows to participate in a wider range of activities.
  2. A unique combination of 3 subjects: archaeology, folklore and a grandeur of nature.
  3. Friendly relations with local guides built over the years. Thanks to them, you will see authentic, unique and low-tourist places that other agencies often do not offer.
  4. Off the beaten track – the tour offers alternatives to Ireland’s most popular tourist attractions.  And if they are still popular, like Newgrange or the Giant’s Causeway, you will see them from a different perspective.
  5. A small group of 5 to 10 participants. Thanks to this, we move more efficiently, and thus – we are able to see more. In such conditions, you also have better contact with the guides and your comments, questions and expectations will always be noticed.
  6. Experienced guides with extensive knowledge of Ireland. You also have an opportunity to participate in an informal study expedition with an archaeologist.

If you are ready to embark on the tour at any of the above dates, please register your interest. We will be happy to answer your questions and send you further details.

Following ‘Via Michaelica’, from the Mounts to the Caves

As an archaeologist, currently conducting PhD research on early Christianity, I have embarked on an expedition, or rather a pilgrimage, that takes me in most of its complexity with the Seven Archangels, and the seven sanctuaries-mounts dedicated to Saint Michael. They were built along the ley line, stretching southwards from northern Europe, with the Skellig Michael jutting from the Atlantic Ocean, to Mount Carmel In Israel, as its final point. But is it just a point or a cluster of sites around this holy place, important to both, Jews and Christians? (see: Sacred Geography Enclosed in the Idea of the Apollo-Saint Michael Axis)

Till October, 2022, I had visited the three sanctuaries in the north of Europe. Yet, when I started my exciting journey in 2006, I barely associated the sites with the Archangel; at that time, I was not aware of the fact they are all placed on the imaginative line running 60 degrees 11 minutes west of north or that they are actually seven in number, all aligned southwards on the extension of the axis. In 2008, during my short visit in Cornwall, I learnt there is much more to the story I had known so far. For some, saying that a book can change your life is a cliché … Maybe … But in my life I have read at least two books that turned out to be the bestsellers of my life, giving me proper guidelines on how to live with passion. Having encountered one of them in a small bookshop in a town of Tintagel, my perception of legendary places, shaped by the faith of pagans and Christians alike, has greatly grown; it has triggered my imagination and challenged me to follow a Christian pilgrimage path that was firstly marked by Saint Michael’s steps.

Together with my travel companions, in October, 2022, I am heading off to two other Archangel’s sanctuaries in Italy. First, I will climb up the Mount Pirchiriano, beautifully situated in Piedmont of north-western Italy, where the silhouette of Sacra di San Michele is shouting in between the peaks of the Alpes. And then I will travel southwards to not less prepossessing Monte Sant’Angelo on Gargano Peninsula, surrounded by the navy-blue waters of the Adriatic Sea. Thought-provoking is a binding connection between those two sites and Mont Saint Michel in France, of which Santuario di San Michele Arcangelo on Gargano is the only one not consecrated with a human hand.

Visual reports online from my expeditions will be available on my website. Later on, they will be richly supplemented with exhaustive written descriptions. Meantime, I invite you on a pilgrimage along Saint Michael’s Axis.

January, 15th, 2023: More than two months have passed since my last trip to the Sanctuaries of Saint Michael. In October, I managed to visit the fourth of them, Sacra di San Michele (see :The Middle-Way Point of the Angels’ Battle in the Piedmont Region), and in November, the fifth one, which is the famous Monte Sant’Angelo on the Gargano peninsula. The time turned out to be extremely intense, because apart from going to Italy and studying along St. Michael’s Line, I also visited Christian sacral places in Lebanon and Egypt. Many of them are also related to angels’ activities, not only to Saint Michael, but also to his other six archangel companions. In Lebanon, I had the opportunity to travel through the sacred Valley of Quadisha, where Saint Michael is celebrated as much as Saint Elijah. I also tried sweet wine, made from grapes grown on Mount Hermon – the same one that was to witness the descent of fallen angels to earth… In Egypt, I visited the meeting place of Saints Paul and Anthony. It reminded me of the scene from the Irish High Crosses, showing two Saints with a raven flying with bread over their heads. I climbed up more than 1,000 steps to the cave of Saint Anthony, and after entering the sanctuary of the monastery, I got lost in thinking about the scenes of saints, angels and Majestas Domini.

The five first steps on ‘Via Michaelica’, while travelling southwards: Skellig Michael (2015), Saint Michael’s Mount (2008), Mont Saint Michel (2005, 2008), Sacra di San Michele (2022), an Santuario di San Michele Arcangelo on Monte Saint’ Angelo (2022). The best way of experiencing the pilgrimage is to travel with your close freinds. Photo: the illustration of Saint Michael’s Sword with all the seven points; the board can be seen inside the Church of Saint Michael at Sacra di San Michele, in Piedmont. Music: The Army of Angels.

All the thoughts come together in one piece that adds new chapters to the work on Saint Michael’s legendary Sword, (and to my PhD).

While Saint Michael is still chasing and hunting for demons, along the Line from north to south, I am coming back to my studies … I hope you will enjoy new articles that will soon appear on the website.

Featured image: Bronze statue of Archangel Michael, Castel Sant’Angelo, Rome. Photo by Wuestenigel (2017). Source: Catholic Herald (2017).

BIBLIOGRAPHY:

Photo: Bronze statue of Archangel Michael, Castel Sant’Angelo, Rome. Photo by Wuestenigel (2017). In: Catholic Herald (2017). Available at <https://bit.ly/2jhwxSd>. [Accessed 15th April, 2018].