In ancient Greece, the term Nympaheum (plural: Nymphaea or Nymphaeums) initially described natural cavities, grottoes or groves with natural springs where nymphs and water deities were believed to have resided and as such they were worshiped. “Subsequently, artificial grottoes took the place of natural ones”; these were special well structures or pavilions, located at the water springs.
Featured image: Waterhouse Hylas and the Nymphs, Manchester Art Gallery 1896.15. By John William Waterhouse – Manchester Art Gallery (1896). Public domain. Photo and caption source: “Nymph” (2021). In: Wikipedia. The Free Encyclopedia.
“Nymph” (2021). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3b7Tz9r>. [Accessed on 6th May, 2021].
“Nymphaeum” (2021). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3vYRogH>. [Accessed on 6th May, 2021].
Photo: “Nymphaeum of Monte Smith (picture 40936781)” (2020). In: mapio.net. Available at <https://bit.ly/2CqbU3a>. [Accessed on 6th May, 2021].
PWN (2007). Słownik terminologiczny sztuk pięknych, p. 279. Kubalska-Sulkiewicz K., Bielska-Łach M., Manteuffel-Szarota A. eds. Wydanie piąte. Warszawa: Wydawnictwo Naukowe PWN.
A type of tombstone in ancient Greece, mostly in the fourth and fifth centuries BC. It imitated the shape of templum in antis. It, namely, it looked like a small temple in classical order with antas, columns or pillars and a decorative pediment, also decorated with figures in the facade. The pediment (frontispiece) was usually filled with family scenes in high relief, where the dead appeared inside the house alongside the living. Also “[some] of the Hellenistic inscriptions found in the Bay of Grama, [in the Ionian Sea of Albania], are placed inside a naiskos, and in this case the religious context is an invocation of Castor and Pollux, [the] Dioskouroi [in Greek and Roman mythology], for a safe passage across the Adriatic, rather than funerary” (“Naiskos” 2020).
The naiskos form developed from an Attic tombstone stelae in the second half of the fourth century BC.; initially simple in shape, with time they had acquired a more complicated form referring to the facade of a Greek temple with a pediment supported by columns.
The facade of Naiksos also appears as a decorative motif in the funerary “black-figure and red-figure pottery of Ancient Greece at the Loutrophoros and the Lekythos and the red-figure wares of Apulia in South Italy, [the fourth century BC.]” (“Naiskos” 2020).
A similar style of funerary tombstones can be also observed in the so-called aedicula, typical of Roman art.
Featured image: Naiskos-style funerary stele of Cyzicus (an ancient town of Mysia in Anatolia, in the current Balıkesir Province of Turkey), with high-relief decoration; epitaph inscribed on the plint: “Attalos, son of Asklepiodoros, greetings!” Made of marble, from the second quarter of the second century BC. Stele of funerary banquet represents, from left to right, a servant holding a round object, perhaps a model of the Arsinoeion in Samothrace, a seated woman, a half-reclining man holding a phiale in which a snake is drinking, a boy cupbearer. Department of Greek, Etruscan and Roman Antiquities, Denon, ground floor, room 11 (Musée du Louvre, Paris, France). Photo by Jastrow (2008). Credit given by W. H. Waddington, (1854). CC BY 3.0. Image cropped. Photo and caption source: Wikimedia Commons (2021).
“Naiskos” (2020). In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/3bQQvhL>. [Accessed on 28th February, 2021].
“Naiskos” (2020). In: Wikipedia. Wolna Encyklopedia. Available at <https://bit.ly/2PkkoiN>. [Accessed on 28th February, 2021].
“Naiskos stele of Cyzicus” (2021). In: Wikimedia Commons. Available at <https://bit.ly/3bHRUaa>. [Accessed on 28th February, 2021].
PWN (2007). Słownik terminologiczny sztuk pięknych, p. 274. Kubalska-Sulkiewicz K., Bielska-Łach M., Manteuffel-Szarota A. eds. Wydanie piąte. Warszawa: Wydawnictwo Naukowe PWN.