While working as a teacher I always used my summer holidays for study trips, and when my colleagues brought their families by the seaside or up to the mountains to relax after the whole school year, I usually went digging, measuring a church or cataloging its inventory. Always non-profit. Anyway, it was my choice and the only chance I could entirely dedicate my time to my passion.
One Trip After Another
After one week trip to Tri-City (Pomerania, Poland) in July, organised by Wrocław University, some of my school mates prolonged their stay on Hel Peninsula to enjoy its long sandy beaches. Contrary to others, I decided to grasp another opportunity for getting closer to archaeology and I left for … Turkey. After travelling across the whole Poland, I finally reached my hometown, where I repacked my stuff from my backpack in a suitcase, and two days later I was already at the airport.
Land Full of Archaeological Treasures
Turkey is famous for its archaeological treasures. I joined there my friends who had chosen Anatolia for their holidays. After visiting together Istanbul and Ankara, “we found ourselves suddenly lost in a forest of cones and pillars of rock … like the ruins of some great and ancient city” (W.F. Ainsworth in Harpur, Westwood 1997:58). We had just reached Cappadocia …
Abstract Art of Cappadocia
Lying southeast of Ankara, it is one of the most remarkable area in Turkey and most frequently visited places in the whole world. Since the early eighteen century, its magical moonscape landscapes have astonished travellers and writers – so unusual are its rock patterns (Harpur, Westwood 1997:58). Cappadocia looks like “a phantasmagorical world where rocks shaped like stepped ziggurats, towers, spires, minarets and cones jut upward into the blue sky” (Ibid:58). Some of these formations grow out of the ground individually or in a few and are characterized by more erosion-resistant basalt caps in the upper part, which gives them the shape of cones imposed on slender like chimneys trunks of soft tufa. Some even compare the latter to penis heads (Pyrgies 2015:31). Clustered together, the rocks sometimes look like an army of crouching dwarfs wearing pointed hats, others – hill-like formations – resemble more “sandcastles melted by an incoming tide” (Harpur, Westwood 1997:58). Such a diversity of shapes became an inspiration for Bronze Age discs – an excellent exemplum of abstract forms of a human body in art (Pyrgies 2015:31; see Noble 2003:40-42).
Grotesquery of the Region
Geologically, Cappadocia is millions years old. It was formed as a result of eruptions of the volcanoes: Hasan Dağı and Erciyes Dağı. Their lava mixed with thick layers of ash changed with time into soft rock, called tufa (Harpur, Westwood 1997:58). Then an artist came and sculpted a grotesquery of the region. Its name was natural erosion. A painter – natural light – added the pink flush of dawn or dusk and magnified natural colours of stone valleys, vibrating under its subtle touch (Ibid:58). Then people appeared in the valleys, especially in the area of today towns of Göreme, Ürgüp, Nevşehir, Zelve and Avanos. They gauged and “hollowed out the tufa [formations] into honeycombs of rooms for everyday living […]” (Ibid:58), and with the fourth century, hermitages and monasteries for worship (Ibid:58).
Place for Religious Retreat
Greek Christians who chose Cappadocia for their retreat followed the monastic idea promoted by Basil, the Great, a hermit and the bishop of Caesarea (Kayseri) (Harpur, Westwood 1997:58). Considered the father of monasticism of the Byzantine Church, Saint Basil (Ibid:58), likewise the Fathers of the Egyptian desert, believed that a monk’s life should be filled with work and contemplation. Nevertheless, Cappadocian monasticism was based primarily on coenobitic life (community life), which Saint Basil considered the only proper monastic way, unlike the Egyptian anchoritism (recluse) (Telepneff 2001:24-26, 36; Rops 1968:606-607; Zarzeczny 2013:39-40).
Rock-Cut Christian Churches
With Christian communities’ grow in the Middle Ages, rock-cut Cappadocian churches developed out of early monastic dwellings and there had been over 300 of them by the end of the thirteenth century (Harpur, Westwood 1997:58-60). The internal architecture of freestanding churches was copied by carving out all the features out of soft rock: “domes, apses, barrel-vault ceilings, and columns, arches and even tables and benches” (Ibid:60). Supporting functions of such elements as columns seem so realistic that it is still surprising to see a stalactite-like column hanging from the ceiling since its base “has been worn out completely away” (Ibid:60). The churches, especially their interiors, are also richly adorned with Byzantine wall paintings representing Christian symbols: from early russet-coloured various patterns drawn directly on the rock to more elaborated and colourful biblical depictions and portraits of saints (Ibid:60). The latter had appeared in Cappadocia since the tenth century onward and were made already on dry plaster (secco) (Ibid:60).
Open Air Museum
Most famous churches are still visible in Göreme, known for this reason as an “open air museum” (Harpur, Westwood 1997:60). Most famous are the Elmalı Kilise (Church of the Apple), the Yılanlı Kilise (Snake Church – because of the looking like a snake, dragon being killed by Saint George), and the Karanlık Kilise (Dark Church) (Ibid:60).
In the course of the fourteenth century, when Cappadocia was already under Turks, the range of Christianity began to shrink and eventually, in 1922, the Greek were expelled from the country (Harpur, Westwood 1997:60). Nevertheless, Cappadocian “houses” have continued to be used by local communities (Ibid:60).
Apart from Christian dwellings, archaeologists encountered other earlier constructions but deep underground (Kosmiczne opowieści 2019). In total there are 36 known subterranean cities in central Anatolia but only four of them are open to the public, like Kaymakli and Derinkuyu (Chabińska-Ilchanka et al. 2015:253). The most extensive and intriguing of all is definitely Derinkuyu, which means in Turkish a deep well (Dunning, Ogun 2018).
Likewise the Hypogeum in Malta, it was uncovered by accident in 1963, at the occasion of refurbishing one of local houses. A demolition of one wall opened the entrance to the tunnel going deep down to the underground, and branching into multiple corridors and chambers (Dunning, Ogun 2018; Kosmiczne … 2019). After wide excavations, it turned out it was just a part of a huge honeycomb city located on more than eight successive levels and reaching underground up to sixty metres down. Underground cities could once have been connected as one of the tunnels inside Derinkuyu (nine km long and extremely narrow) is said to lead to another underground complex (Dunning, Ogun 2018).
Derinkuyu was inhabited in the past by thousands of people (possibly up to 20.000) and their livestock. They seemed to lead a typical life but underground. In their mysterious city, there were spaces of different everyday conveniences: dining rooms, wine presses, cellars, warehouses, animal enclosures, schools and places of worship (Dunning, Ogun 2018; Kosmiczne … 2019). For lighting, in some parts people are believed to have used olive lamps, which could have been placed in special niches (Kosmiczne … 2019). Still such niches are missing elsewhere, and on deeper levels torches or lamps would not work due to limited air sources and so the question of the lighting system inside the city has not been entirely answered. It Is obvious, however, that without any artificial light the underground would be just pitch-dark (Dunning, Ogun 2018). The access to fresh water was provided by the well built under the lowest level and taking water from the river flowing under the surface of the city. In order to prevent the water being poisoned, the river’s flow was checked at the level of the lower floors and in the event of danger, the access of water to the upper floors was cut off (Kosmiczne … 2019). Moreover, the city was constructed in such a way that it was impossible to force people to leave it either by means of fire or water (ibid). There were three main entrances to the underground, which in case of danger could be closed only from the inside with round basalt boulders (one meter in diameter, up to 500 kg in weight). Such megalithic doors were placed on rollers and also led to subsequent levels, thanks to which each of them could be closed separately (Ibid). City residents could also communicate with each other at a distance, using miniature shafts with a section of 10 cm (Ibid). The entire ventilation system consisted of thousands of long vertical shafts (52 known in total) that supplied air to the deepest and most distant rooms (Ibid). What is quite interesting, the shaft chimneys sticking out on the ground resemble the shape of bull’s horns (Dunning, Ogun 2018). The builders (whoever they were) also took care of the air conditioning: in the summer, there was about 15 °C in the inside, and in the winter the temperature did not fall below 7 °C (Kosmiczne … 2019).
Nobody knows who built this intricate subterranean complex, why and how.
WHO and WHEN?
This matter is still very controversial and there are many hypotheses about who was the author of Derinkuyu (Kosmiczne … 2019). As other stone structures, Derinkuyu cannot be dated, which is why archaeologists usually attribute similar structures to cultures having inhabited a given area (Ibid). Academics generally claim the construction of Derinkuyu was built either by the Phrygians (the twelfth – seventh century BC) or by an earlier culture – the Hittites (1600 BC – the twelfth century) (Ibid). Although the Phrygians are mostly considered as the authors of the city, and the construction itself dated back to the eighth century, the finds of Hittite artefacts (the thirteenth – twelfth century) in the city’s tunnels leave this question still open (Ibid).
Moreover, there are also much older Palaeolith tools excavated that date back to around 10 000-12 000 (History 2018). Irrespective of these finds, some scholars suggest that some part of the complex was just started by one of these ancient cultures but then widely expanded only by Christians who were forced to protect themselves underground in great numbers (Dunning, Ogun 2018). Such an explanation is, however, less possible as the whole complex is architecturally consistent. And even if Christians had found there their long time refuge and adapted it to their use by creating (or just modifying) rock-cut spaces, such as the so-called “cathedral”, they could not expand the city to such a degree as it is known today (Ibid). The oldest identified account of underground cities in Cappadocia comes from 370 BC and was written by a Greek historian from Athens, Xenophon (Kosmiczne … 2019). His account comes from the work of Anabaza, where the author mentions people living in large, underground houses, along with their livestock (Ibid). After historians, the city was already used during the Roman Empire, and then by Christians as a place of refuge during invasions of Mongols and Arabs (Ibid). According to an alternative theory, the builders of Derinkuyu were representatives of a lost, highly developed civilization, which was destroyed about 12,000 years ago by a huge cataclysm (Dunning, Ogun 2018; Kosmiczne … 2019; see Hancock 2016).
Derinkuyu, like other similar constructions in Cappadocia, is believed to have been built as a war shelter for thousands of people looking for a shelter from Arab invaders (Kosmiczne … 2019; Chabińska-Ilchanka et al. 2015:253). However, these are only speculations, not facts.
The primary collection of religious texts of Zoroastrianism, Avasta (in the Wendidad part), mentions the first king of mankind who was warned by the god Ahura Mazda of the coming catastrophe of long-time and evil winters (Kosmiczne … 2019; see Hancock 2016). Thus, the god recommends building a great Vara (in Persian mythology an underground shelter) and let in a pair of seeds from each animal and plant on earth, as well as a number of carefully selected people who would re-populate the land when winter passes away (Ibid; see Hancock 2016). With some exceptions, the story is remarkably similar to the biblical tale of Noah’s Ark, and other myths about a great cataclysm and a god saving the earthly life (Ibid; see Hancock 2016). Supporters of the theory of the lost ancient civilization relate the description of harsh winters to the last Ice Age (younger dryas lasting from around 10 850 B.C. to around 9700 B.C.) and associate Derinkuyu with the ancient Vara (Ibid; see Hancock 2016). For these reasons Persians claim such multi-stored subterranean cities were built by their ancient ancestors (Dunning, Ogun 2018).
First of all, Derinkuyu construction amazes with its craftsmanship and highly functional, architectural elements. Like other structures in Cappadocia, the city was made of soft volcanic rock – tuff (Kosmiczne … 2019). Therefore, builders had to be very careful while building the underground chambers and had to make sure they would carve out strong and well-balanced columns to maintain the pressure of the upper floors (Ibid). One structural engineering mistake would be enough to cause a collapse of the entire city (Ibid). Secondly, it is noticed that to construct such functional elements as wells and ventilation shafts, the builders would need a special machinery or tooling to drill deeply and precisely in the rock (by the way, no tools have been there found there so far) (Dunning, Ogun 2018). Next, It is estimated that over million and half square metres of rock was removed to construct the whole complex (History 2018). However, there is no trace of the extracted material in the area (Ibid). Finally, in Turkey there are multiple fault lines (a line on a rock surface or the ground that traces a geological fault) generating earthquakes, except for one region, which is in central Anatolia, especially around Cappadocia (Dunning, Ogun 2018). It is not surprising then that such elaborate and deep subterranean complexes were carved out just in the area that has not posed a threat of earthquakes which can easily destroy the underground warrens of tunnels and chambers. The most important question is how their builders knew about that phenomenon (Ibid).
One of the creepiest places
Without doubt, Derinkuyu belongs to most fascinating but also creepiest sites I have ever been. The deeper you go down, the more uncomfortable you feel. It’s an amazing place to get in but it is not proper for asthmatics, people with heart deceases and claustrophobic issues or those with limited mobility (Dunning, Ogun 2018). While walking down to deeper levels, it is more difficult to breathe and passages getting more and more narrower (Ibid). The tunnels of the city measure approximately 160 cm high (Kosmiczne … 2019) and if you are taller you need to constantly bend over to pass through from one chamber to the other (Dunning, Ogun 2018). So far archaeologists have excavated the city reaching down to its eight floor but there are possibly even eighteen in total (Ibid). However, no archaeologist has explored it yet directly or indirectly by means of robotic probes (Ibid).
Here comes a fairy tale …
Now goes the part I like most: an oral tradition. Local people usually describe the region of Cappadocia as the land of fairy chimneys (Harpur, Westwood 1997:58; Dunning, Ogun 2018). Such a name may refer to “fairy” natural formations of Cappadocia – according to tour books (Harpur, Westwood 1997:58) or, as villagers believe, to the underground constructions, which were actually built by fairies (Dunning, Ogun 2018). The latter are usually describe as very tiny people resembling Tolkien’s hobbits but with fiery red eyes (Ibid). Some local villagers claim they caught a glimpse of such a creature underground (Ibid). Still such beings could only work by night as they suffered from the daylight (Ibid). This is why, the fairies once lived (or still live) in the deepest and narrowest levels of the subterranean cities (Ibid). According to the same source, the complexes were actually built from the bottom upwards, first by the fairies from the Inner Earth and then, at the higher levels, by people who consecutively adapted them to their use and widely enlarged (Ibid).
The Dead End
Is it a fairy tale? Most people in answer would shrug or call it an old wives’ tale. A more scientific theory than that states Derinkuyu was built from the top to bottom (Dunning, Ogun 2018). The case is, however, the same theory goes to the dead end while archaeologists are trying to localise the “bottom” (Ibid). We know the deeper the city goes down, the narrower its chambers and tunnels become but nobody yet has reached their final end, still hidden deep down …
It was already late when we all were sitting in one of numerous pubs filled with typical of Cappadocia atmosphere of small villages lost among tufa rocks and their multiple shapes. At that time I was not sure anymore if all of these stories I heard were just made-up or maybe I had drunk too much beer … Still I trusted Lord Richard Croft’s words: “Well, all myths have foundation in reality” (Tomb Raider 2018).
The Anatolian night was flickering to me with its stars. Tomorrow was going to bring another mystery.
Featured image: Imaginative expressions of nature in Cappadocia. Copyright©Archaeotravel.
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