Category Archives: AMERICA

Mystery of the Casas de Piedra in Palenque

Campeche is a city in the Mexican Gulf, founded in 1540 by Spanish conquistadors as San Francisco de Campeche. Additionally, it was located on the site of the former Mayan city called Canpech or Kimpech (“Campeche” 2021).

The two illuminated towers of the Baroque Cathedral, towering over the Plaza del Zócalo of the city of Campeche, Mexico. Copyright©Archaeotravel.

This old town used to have thousands of different buildings, of which, as a result of its turbulent history, unfortunately not many traces have remained to this day (“Campeche” 2021)

Even though our minibus arrived at Campeche in the evening, we still managed to see many colourful colonial houses and massive fortifications that had once defended the city from pirates, albeit not always with success (“Campeche” 2021). At the end of our trip, we were seen off by the two illuminated towers of the Baroque Cathedral, towering over the central square of the city, known locally as the Zócalo. The next morning, however, we left this charming place behind and moved south, towards the Mexican state of Chiapas, going back in time to the times of the Maya and their stepped pyramids and temples.

Towards the heart of the Maya territory

So far we had seen Mayan sites in the north of Yucatan, including Mayan-Toltec cities of Chichen Itza and Uxmal. Nevertheless, those city-states had developed mostly in the Late Classical Period and were therefore much later than Mayan sites in the south of the country. This is why, we could say that we were heading off to the very heart of the Mayan land. Paolo Sutter, a Swiss guide in Palenque, who also accompanied Enrich von Däniken in his journey through the ruins, claims that this Mayan heart once beat in Tikal (Guatemala) (Von Däniken 1991:184). After him, Tikal was once located just in the centre of the Mayan culture, which becomes especially visible if one inserts a compass needle into a city point on the map and draws circles of the correct radius around it; these will include the Mayan settlements even at the edge of their world, in the farthest corners of the north, south, west and east (Ibid.:184). ‘It was from Tikal’, the guide says, ‘that the Mayan empire began to expand in all directions’ (Ibid.:184).

Accordingly to the proposed thesis, the Mayan territory was not in fact limited to the country of Mexico itself but stretched southwards, far beyond its political borders. Precisely, “[the] Maya civilization developed in the area that today comprises southeastern Mexico, all of Guatemala and Belize, and the western portions of Honduras and El Salvador” (“Maya civilization” 2021). Consequently, Mayan city-states were scattered in the area of Mexican state of Chiapas, including Sierra Madre de Chiapas, southern Guatemala, El Salvador, and the southern lowlands of the Pacific littoral plain, and then they also expanded in the regions of the northern lowlands of the Yucatán Peninsula, from where we started our study trip throughout Mexico (Ibid.).

The Maya and their development

Ancient Maya peoples, although today they exist as a separate cultural group, had probably never felt “a sense of common identity or political unity” (“Maya civilization” 2021; see “Majowie” 2021). Nevertheless, they dominated Mesoamerica for thousands years (Grube 2013:14-16). To our knowledge, they did not use metal tools, a wheel, and did not have pack animals (Burns 2012).

In front of the Temple of the Inscriptions, one of the most intriguing and significant buildings of the city, situated in the center. Copyright©Archaeotravel.

Despite their lack of the humanity’s basic inventions, such as iron and the wheel, scientists today consider the Maya as one of the most advanced civilizations in Pre-Columbian America (Burns 2012). This is because the Maya had many achievements in the fields of agriculture, engineering, and astronomy: they developed hieroglyphics and the vigilant number system, made astronomical observations, and used precise timing systems (ibid.). They also had a complex mythology, language and religious rites (Ibid.). The Maya are equally known for their civilization achievements in the field of architecture and so their cities are characterized by high architectural precision, especially in terms of astronomical phenomena (“Majowie” 2021).  They built monumental spatial complexes, consisting of temples on high stepped pyramids, palaces, terraces, courtyards and stone fields for ball games (“Majowie” 2021; Burns 2012). In the field of art, they created stucco ornaments, vibrant wall paintings, sculptures and bas-reliefs of stucco, stone, wood and bone, polychrome ceramics and refined objects of goldsmithery (“Majowie” 2021).

Where did they come from?

Scientists claim that the Mayan ancestors came from Asia to the American continent via the Bering Strait during the last Ice Age (Grube 2013:14). Like many, Paolo Sutter takes a different view (Von Däniken 1991:183-184). After him, people never voluntarily put themselves in danger, especially if they do not have a clearly defined aim of taking a risk (Ibid.:183). And the people of that time certainly did not know what awaited them after crossing the frozen Bering Strait, if such a feat was possible for them at all, with frosts as low as minus 70 degrees Celsius (Ibid.:183).

The row of temples along the southern edge of the Main Plaza in the western part of the city: the Temple of the Inscriptions on the left, then on the right, the Temple XIII (of the Red Queen), and the Temple XII. Copyright©Archaeotravel.

On the other side, opponents of the Bering Strait theory usually propose a different solution instead; namely, they believe that the people of Asia did indeed reach Mesoamerica, but by crossing the waters of the Pacific Ocean, travelling on ships (Ibid.:183). Enrich von Däniken (1991:184), however, doubts if they came from Asia at all; the newcomers from Asia would have known the wheel and would certainly have used it widely also in Mesoamerica. Even if the Mesoamerican peoples, such as the Olmecs and the Mayans, knew the wheel, as evidenced by some artifacts, they did not use it in their everyday life, like other ancient cultures did elsewhere.

There are also some legends ascribed to the Mayan culture, containing a story of how the ancient Mayans came to Mesoamerica from an unidentifiable eastern land that had been destroyed, possibly by an unknown cataclysm (Hart 2017:150). As a writer, Will Hart (2017:150) admits, these types of accounts may sound like romantic myths and be just a result of a vivid imagination, but when one walks around an ancient archaeological site of Palenque, amidst its extensive ruins, they start to wonder if such myths of lost continents may contain a grain of truth.

From the Archaic Period to the Late Preclassic

Regardless of where the Mayans came from and how they did it, visiting hunters and collectors first settled in mainly three regions of Mesoamerica: the Pacific coast, the mountains, and the lowlands (Grube 2013:14).

Inside one of the corridors of the Palace in the central part of Palenque. Photo by Leon Petrosyan (2010). CC BY-SA 3.0. Photo modified. Photo source: “Palenque” (2021). In: Wikipedia. The Free Encyclopedia.

Little information is known about the Archaic period of Mayan culture, but it is dated back to the second millennium BC., when settlements in villages had already developed (Grube 2013:14). Although this slow process was uneven in the inhabited area, it is the time when agriculture and maize cultivation began (Ibid.:14). Pottery, which is attributed to the Mayan culture, could also have originated in this period (Ibid.:14).

The Corbel arch seen in a hallway at the Palace. Photo by Ricraider – Own work (2012). CC BY-SA 3.0. Photo modified. Photo and caption source: “Palenque” (2021). In: Wikipedia. The Free Encyclopedia.

A conventional period from 2000 BC. until 300 BC. is called by archaeologists the Preclassic Period, including the Early (2000-900 BC), Middle (900-300 BC) and Late (300 BC-250 AD) periods within it (Grube 2013:14). While the first agricultural settlements were built at the earliest stage, the social hierarchy was formed in the following phases, and the cities were formed along with them, along with examples of Mayan monumental architecture, including ornamental tombs and stone monuments with images of dignitaries, but yet without inscriptions (Ibid.:14). Similar achievements show that the Mayan culture developed in parallel with the so-called Olmec culture from the Gulf of Mexico (Ibid.:14). Therefore, it is not truly correct to describe the Olmecs as a proto-Mayan culture (Ibid.:14). The Olmecs had probably just influenced it as much as the culture of Teotihuacan did.

Self-supporting and false vaults

In the Late Preclassic Period, social differences in the Mayan culture deepened and a privileged group strongly emerged, including the royal families and priests (Grube 2013:14). Monumental buildings decorated with huge stucco masks of gods were still erected; these were mainly temples in the form of stepped pyramids with temples on top and the so-called royal palaces (Ibid.:14). Stone self-supporting original vaults with a keystone (a capstone) are also dated to this period! (Ibid.:14). It is supported by the discovery of such a vault in the city of Calakmul. At the same time, it is quite surprising that in the Classic Period cantilever vaults, known more often as the corbelled or false vaults, were commonly used by the Mayans (Ibid.:14). Such constructional element as corbel vaults and arches are actually typical features of the pre-Columbian architecture, both monumental and urban (Ibid.:14).

The Temple of the Inscriptions became a place of the most fascinating discovery of the 90s of the twentieth century in Mesoamerica. Photo by Dezalb (2015). Photo source: Free images at Pixabay.

Complex writing system

The first stone monuments with hieroglyphic inscriptions, the so-called steles, also appeared in the same period (Grube 2013:15). Oddly enough, these oldest texts reveal examples of writings so uniform and complex that the Maya writing system from the Late Preclassic Period must have developed earlier (Ibid.:15). For archaeologists, there are two possible explanations for this puzzle: either the older forms of writing have not survived due to the perishable material used, or they have not yet been discovered (Ibid.:15).

Classic Period of the Maya

The end of the Preclassic Period brought subsequent climate changes, natural disasters and migrations of people, often resulting in armed conflicts, which caused many cities of the period deserted (Grube 2013:15).

Maya glyphs in stucco at the Museo de sitio in Palenque, Mexico. Photo by Kwamikagami – English Wikipedia (2004). Public domain. Photo modified. Photo and caption source: “Maya script” (2021). In: Wikipedia. The Free Encyclopedia.

Recognition of the year 250 AD. as the ending moment of the Preclassic Period and the beginning of the Classic one is purely conventional (Grube 2013:15). This was a gradual process and did not occur simultaneously for the entire territory of Mesoamerica occupied by the Mayans (Ibid.:15). Moreover, it should also be understood that the Classic Period is just another stage in the long history of Mayan culture (Ibid.:15). Material inheritances from both the Preclassic and Classic Periods are also quite comparable (Ibid.:15), and sometimes even earlier monuments and artifacts are more advanced in terms of a technique used than those created in the classical period (e.g. a self-supporting vault).

The Palace as seen from the main courtyard (Main Plaza). Photo by Ricraider – Own work (2012). CC BY-SA 3.0. Photo modified. Photo and caption source: “Palenque” (2021). In: Wikipedia. The Free Encyclopedia.

The Classic Period can be further broken down into two major blocks: the Early Classic Period (250-550 AD.) and the Late Classic Period (550-900 AD.) (Grube 2013:15). Additionally, one can also distinguish in the latter the s-called Declining Period, that is to say, the last hundred years of the Late Classic Period (800-900 AD.) (Ibid.:15). In the Classic Period, the lowlands were divided by growing influences of notably four struggling big city-states (Ibid.:15). Edwin Barnhart, PhD, the Archaeologist Director in Maya Exploration Center, says that many texts mention four Maya cities that were associated with four corners of the world (Edwin Barnhart, PhD. in: Burns 2012). Among them was Palenque, depicted as the capital of the Mayan world of the west, the capital of the south was Copan, in the east, there was Tikal, and in the capital of the north was Calakmul (Ibid.). Each was headed by a king who was descended from ancient gods, and so he was seen as an intermediary between the world of gods and people (Grube 2013:15).

A description of a presented expedition will mainly concern the Late Calssic Period of Palenque.

Relations with Teotihuacan and wars between the Mayan city-states

In addition to extravagant architecture and luxurious works of art, an element of the culture of the aristocracy of the Classic Period of the Maya was their hieroglyphic writing, densely covering stone steles, altars, relief panels, pottery and jewellery (Grube 2013:15). They all tell a tale about royal families, lavish feasts, wars and alliances (Ibid.:15). On the other hand, the Mayan hieroglyphs has allowed not only to recreate the political events of the Classic Period, but also have given a valuable insight into the Mayan intellectual culture, including their astronomy and myths (Ibid.:15).

By the side of the so-called Palace, located in the center of Palenque. Behind the Temple of the Inscriptions, situated at the top of the stepped pyramid. Copyright©Archaeotravel.

By means of Mayan writing and artifacts, it is also known that the Early Classic Period was marked by contacts with the mysterious city of Teotihuacan, the largest city in the cultural area of ​​Mesoamerica, inhabited then by unidentifiable culture (Grube 2013:16). At the same time, conflicts developed between the urban powers of the Classic Period, mainly between Tikal and Calakmul, which, in turn, had sparked hostilities already on the verge of the Late Classic Period (Ibid.:16). The final collapse of the Mayan classic culture was intensified by environmental disasters and overpopulation (Ibid.:16). Consequently, at the turn of the ninth and tenth centuries AD., more Mayan cities emptied in the region (Ibid.:16).

Postclassic Period and the Spanish Conquest

Simultaneously, “[the] Postclassic period [of the Maya, which] saw the rise of Chichen Itza in the north [of Yucatan]” (“Maya civilization” 2021), is usually regarded as a time of decadence, characterized by a gradual decline of the status of the elite and their monumental architecture (Grube 2013:16). This period is also broken down into successive stages, ending with the Spanish conquest and the fall of the last Mayan state of Itzá, with their capital Nojpetén, in 1697 (Ibid.:16).

Modern Mayans of Yucatan, Mexico. Photo by I, Henrique Matos (2007). CC BY 2.5. Photo source: “Majowie” (2021). In: Wikipedia. Wolna Encyklopedia.

After the Spanish Conquest, the Mayan civilization completely collapsed (Grube 2013:16). The Mayans, however, have survived to modern times, thankfully retaining much of their culture (Ibid.:16). During the colonial period, as well as after Mexico and other countries in America gained their autonomy in the early nineteenth century, the Maya also made many local armed efforts to regain political independence (Grube 2013:16; “Maya civilization” 2021). “Today, their descendants, known collectively as the Maya, number well over [six] million individuals, speak more than twenty-eight surviving Mayan languages, and reside in nearly the same area as their ancestors ” (“Maya civilization” 2021). Although for centuries they were usually treated as second-class residents on their own lands, today they are still actively fighting for their political and cultural rights (Grube 2013:16).

Gateway to Palenque

The stepped pyramid of the Temple of the Inscriptions. Photo taken from the side of the Temple XIII, where the second famous burial of Palenque was discovered. It belongs to the so-called Red Queen. Copyright©Archaeotravel.

As we were approaching Palenque archaeological site after around five hours spent in the bus, I suddenly noticed a huge carved head rising up just in the middle of the roundabout (see: Von Däniken 1991:183). It belongs to perhaps the most famous Mayan king, Kʼinich Janaab Pakal the First, who reigned in Palenque in the Late Classic Period and who, more than one thousand three hundred years after his death, triggered much interest and even confusion in the modern world of archaeology. It was mainly because of his multi-ton sarcophagus hidden in one of the temples in Palenque. In this way, the king has probably deserved that his image carved in the stone is now welcoming visitors on the way to his wonderful but lost kingdom.

How did the Mayans call their city?

The Mayan ruins of Palenque are located around ten kilometres away from a small town of Santo Domingo de Palenque, where you can also stay at one of its hotels of a various standard if you wish to stay and study the ruins longer (Von Däniken 1991:176,183). This settlement close to the ancient city was founded by a Spanish missionary, Father Pedro Lorenzo de la Nada, the first European who saw Palenque (Von Däniken 1991:175-176; Dzikowska 2013:239; “Pedro Lorenzo de la Nada” 2021). In 1567, he founded a village, first called Santo Domingo, and it was not until around twenty years later that it was named Santo Domingo de Palenque (Von Däniken 1991:175-176; Dzikowska 2013:239; “Pedro Lorenzo de la Nada” 2021).

An intricate complex of El Palacio with its outstanding tower, located in the center of the ancient city of Palenque. Photo taken from the Temple of the Cross in the south-east of the city. Copyright©Archaeotravel.

It is believed that Palenque was “also anciently known as Lakamha (literally: ‘Big Water’) (“Palenque” 2021). Yet, there are other hypothesis about the modern name of the city. In Spanish, the word ‘palenque’ means ‘fence’, ‘tournament square’ or ‘palisade site’. Of course, the sixteenth-century village of Santo Domingo had nothing to do with ‘tournament square’ (Von Däniken 1991:176). One of the local Mayans claims that his ancestors from the sixteenth century still remembered that the nearby jungle ruins were actually called Palatquapi by ancient Mayans; according to their accounts, it was the place where Mayan gods, known as the Kachina, once lived (Ibid.:176).

Mysterious tower, possibly used as an astronomical observatory, belonging to the complex, called El Palacio. Photo by Anna_Travel_Guru (Anna Che) (2015). Photo source: Free images at Pixabay.

The sixteenth century Mayans may have provided the Spanish settlers with the original name of the city, which was, however, misspelled by the Spanish and consequently changed into the known today name ‘Palenque’, and then Santo Domingo was successively named itself after the ruins (Ibid.:176). As a matter of fact, Father Pedro Lorenzo de la Nada studied the ruined city and then published its first description, in which he also named it ‘Palenque’ (Von Däniken 1991:175-176; Dzikowska 2013:239; “Pedro Lorenzo de la Nada” 2021). The Mayan city was thus named almost two hundred years before its ruins started to be more explored since the eighteenth century (Eggebrecht 2013:408; Prager, Grube 2013:447).

From ‘casas de piedra’ to their regular exploration

Of all the Mayan sites of the Classic Period, Palenque enjoyed considerable interest, but it was difficult to spark it at first among contemporary explorers (Eggebrecht 2013:408-411; Von Däniken 1991:163-171; Dzikowska 2013:239-241). From the beginning of the eighteenth century, the inhabitants of Tumbula, the largest city closest to the ruins, knew of the so-called casas de piedra (stone houses), near the settlement of Santo Domingo (Eggebrecht 2013:408; Von Däniken 1991:163).

Even at the beginning of the nineteenth century, they described the ruined buildings engulfed by the steamy jungle of Chiapas, which was once inhabited by their Mayan ancestors (Eggebrecht 2013:408). In the 1870s, information about these stone houses spread quickly; it reached the ears of a priest in Ciudad Real, Ramona Ordonez, whose account finally reached the Royal Commission of Audiencia in Guatemala (Eggebrecht 2013:408; Von Däniken 1991:163). Only a decade later, on the recommendation of the representative of the Spanish crown, Jose Estacheri, the first excavations in the area of ​​Palenque finally began (Eggebrecht 2013:408). They were led by the royal architect Antonio Bernasconi, whose drawings and reports reached Spain many years later (Ibid.:408). As early as in 1786, Jose Estacheri received further instructions to retrieve the artifacts from Palenque and undertake further excavations on site (Ibid.:408).

It was the time of the very first steps of archaeology, though completely different from how it is understood today; it was more likely a hunt for lost treasures than systematic studies of ancient cultures (Eggebrecht 2013:408; Von Däniken 1991:164).

Detail of a relief at the Palace drawn by Ricardo Almendáriz during the Del Rio expedition in 1787. Ricardo Almendáriz – Library of Congress (1787). Public domain. Photo and caption source: “Palenque” (2021). In: Wikipedia. The Free Encyclopedia.

The Audiencia consequently instructed the officer, Antonio del Rio, and the cartoonist, Ricardo Almendariz, to go to the site and explore the ruins (Eggebrecht 2013:408; Von Däniken 1991:163). Unfortunately, contemporary “research methods” of pioneers in archaeology left much to be desired, not only in Mesoamerica but everywhere in the world; after breaking through the dense tangle of the forest, Antonio del Rio ripped away some of the city’s architectural sculptures and artifacts from, using axes, pickaxes, and hand-picked spikes (Eggebrecht 2013:408; Von Däniken 1991:164). In this way, thirty-two items, including the so-called Madrid Stela, were handed over to the Audiencia along with the drawings and accounts (Eggebrecht 2013:409; Von Däniken 1991:164). In Spain, however, no one took any interest in such acquired treasures and the results of the expedition were not even published (Eggebrecht 2013:410; Von Däniken 1991:164). It was only in 1882 that an inexplicable copy of the original Antonio del Rio’s accounts was translated into English and published in the form of a small booklet in London (Eggebrecht 2013:410; Von Däniken 1991:164). Although it did not arouse much interest at first, it was this position that much later attracted the ruins’ greatest American explorers, John Llyod Stephens and Frederick Catherwood (Eggebrecht 2013:410; Von Däniken 1991:164-165).

Successive amateurs of the ruins

In the meantime, further research continued at Palenque (Eggebrecht 2013:410). The site itself had attracted many fascinating characters, including travellers and explorers (Eggebrecht 2013:410; Von Däniken 1991:165).

Johann Friedrich von Waldeck, Foto von Charles Reutlinger 1873. Public domain. Photo modified. Photo and caption source: “Johann Friedrich von Waldeck” (2021). In: Wikipedia. The Free Encyclopedia.

Among them, there were Guillermo Dupaix (1746-1818), following the orders of the King of Spain, and cartoonist Jose Luciano Castagnada (Eggebrecht 2013:410). They came to Palenque in 1807, just before the riots that led to the independence of Mexico and other parts of Central America in 1820 (Ibid.:410). However, further studies conducted by the researchers had long been kept in a drawer in the Mexican capital before being published in Europe in the 1830s (Eggebrecht 2013:410; Von Däniken 1991:164-165). During this time, however, yet many travellers visited Palenque; those were Alexander von Humboldt (1769-1859), who came there in 1816, and Colonel Juan Galindo (1802-1840) (really John of Ireland), who was a governor of the Guatemalan province of Petan (Eggebrecht 2013:410; Von Däniken 1991:165). In addition, the latter was a passionate adventurer, traveller and archaeologist, and the London Literary Gazette even described the Colonel in 1831 as an actual discoverer of Palenque (Eggebrecht 2013:410; Von Däniken 1991:169).

A new dweller of casas de piedra

However, the decisive role in the history of the discoveries of the Maya city was primarily played by a brilliant character, Jean-Frédéric Waldeck (1766-1875), who was said to have been a French count, an antiquarian painter and draftsman (Eggebrecht 2013:410; Von Däniken 1991:165). Considered mad in many circles, Von Waldeck was possibly associated with a self-proclaimed group of early Americanists who argued that Mesoamerican culture had stemmed from the ancient East, spanning from Egypt to India (Eggebrecht 2013:410; Von Däniken 1991:165).

The so-called Temple of the Count, located in the north of Palenque, beside the North Group of temples. The temple was called after Palenque’s explorer, Johann Friedrich von Waldeck (1766-1875), who was known as a French count. He worked and lived in Palenque for over a decade. The Temple had become his dwelling in the city. Photo by Bernard DUPONT (2020). CC BY-SA 2.0. Photo modified. Photo source: “Palenque” (2021). In: Wikipedia. The Free Encyclopedia.

In 1821, the count met the English publisher of the above-mentioned Captain del Rio, who asked Waldeck to illustrate the book (Von Däniken 1991:164-165). The presented records completely captured Waldeck’s imagination, and in 1822 he went to Mexico, whose government gave him permission to conduct research in Palenque (Ibid.:165). Since the ancient Mayans left, he had probably been the first man, and certainly the first European, who inhabited one of the casas de piedra of Palenque (Ibid.:167). Today, his dwelling on site is jokingly called the ‘temple of the count’ (Ibid.:167). During his two-year stay among the ruins, Von Waldeck dedicated Palenque not only all his time, talent as a draftsman and researcher, but also his fortune and health (Ibid.:167-168). He was constantly fighting with the tropical climate, the stuffiness and the threat of malaria, including clouds of mosquitoes actually causing it (Ibid.:167-168). During this period, he defended his fortress against both looters and curious tourists (Ibid.:167-168).

Maya ruins of Palenque, Chiapas, in 1840, by Frederick Catherwood. Palenque had always appealed to the imagination of adventurers. Catherwood’s lithographs, although they show architectural elements in a romantic perspective, yet they reflect the Mayan city with remarkable precision and accuracy. The Palace. Lithograph from drawings by Frederick Catherwood at Palenque, Chiapas, 1840. Uploaded by Infrogmation (2019). Public domain. Photo and caption source: “Catherwood Palenque Palace Courtyard” (2021). In: Wikipedia. Wolna Encyklopedia.

Nevertheless, he himself was eventually accused by the Mexican government of stealing national treasures (Von Däniken 1991:168). Disappointed, the count left his beloved city and in 1838 published Voyage pittoresque et archéologique dans la province du Yucatan pendant les années 1834 et 1836, as a result of his studies (Ibid.:168).

Lloyd Stephens and Frederick Catherwood

Finally, among the next Palenque enthusiasts, there were other contemporary globetrotters, John Lloyd Stephens, and a cartoonist, Frederick Catherwood (Eggebrecht 2013:410; Von Däniken 1991:168-169). In 1839, they both set off on a journey to Mexico and its ruins, about which Dupaix, Galindo and Von Waldeck had so enthusiastically written so far (Von Däniken 1991:169). The researchers wanted to know what kind of culture could have been the author of similar ruins lost in the jungle (Ibid.:169). At first, they did not think that the monumental palaces were the product of ancient ancestors of the Indians living in Mesoamerica (Ibid.:169). Moreover, at a time when Stephens and Catherwood were researching this mysterious culture, neither its writing nor its calendar was known yet, and there was no idea of ​​its unique character, typical of the cultures of the studied region (Ibid.:171).

Catherwood Palace Palenque Interior. Lithograph from drawings by Frederick Catherwood at Palenque, Chiapas, 1840. Uploaded by Infrogmation (talk | contribs) (2019). Public domain. Photo source: Wikimedia Commons.

Eventually, Stephens recognized Palenque as an impressive legacy of people who without any outside contacts or without foreign teachers, allowed their culture to flourish in its uniqueness (Von Däniken 1991:171). During two long and adventurous journeys, the both researchers visited forty-four ruined cities, and their on-site drawings, including sixty pages on Palenque, were published between 1841 and 1843 and gained great popularity both among ordinary readers and in the world of science (Ibid.:170). Moreover, due to his four-volume publication, Incident of Travel in Central America, Chiapas and Yucatan (1841) and Incidents of Travel in Yucatan (1843), John Lloyd Stephens not only laid the foundations for a systematic study of the past, but also provided a picture of the Mayan life of mid-nineteenth century, which to this day remains unparalleled (Eggebrecht 2013:411).

Palenque then and now

What former travellers and explorers found in Palenque had long gone with them. Today, a tourist driving up to the restored ruins of the city by an air-conditioned coach or a taxi has no idea of terrible hardships and dangers that ancient explorers, like Stephens and Catherwood, had to face among the ruins centuries ago (Von Däniken 1991:170). The virgin dense forest was then full of moisture and was steaming; casas de piedra seemed completely lost in a thick and marshy jungle (Ibid.:170). With time, dense coils of vegetation had revealed a scrap of secrets of the city, and the ruins were gradually released from their envious embrace.

Currently, the center is restored and made available to visitors. Although it is still surrounded by a tropical forest, which all the time makes a great impression on tourists with its micro-climate flora, it is much thinned out and the wilderness has been visibly tamed with well-arranged paths and alleys for visitors, strolling around the site. The region itself has been dominated by a rather agricultural landscape; as a result, where there was once a dense jungle yet in the mid-twentieth century, now there are vast pastures and farmlands (Ibid.:183).

Wandering for clues

Beauties of the tropical forest can be still experienced along the way through Palenque archaeological site with its suburb ruins plunged into the foliage, and further on the path leading to a small museum nearby, called the Museo de Sitio de Palenque “Alberto Ruz Lhuillier”. The museum itself is worth seeing, as there are both replicas and genuine artifacts from the site, provided that many finds from the region have been taken to the National Museum of Anthropology in Mexico City (Lonely Planet 2021; Monsieur Mictlan 2018).

It was already long after my tour of the Mayan city, where I could plunge into the shadow of the jungle to feel at least a bit of the atmosphere experienced once by the nineteenth century’s explorers.

It was also a good moment to analyse my “finds”, collect them and revise by their proper arrangement in my head. Referring in my thoughts to what I had heard and read about the site and the Maya themselves, it turned out to be a rather difficult task to put all the elements together in a coherent way. Suddenly, I got an uncomfortable feeling that a holistic view and logic were out of this game.

Featured image: View of the two smaller temples of the Mayan city of Palenque; the Temple of the Sun on the left and the fragments of the Temple XIV on the right. Copyright©Archaeotravel.

By Joanna
Faculties of English Philology, History of Art and Archaeology.
University of Silesia in Katowice, Poland;
Cardinal Stefan Wyszyński University in Warsaw, Poland;
University College Dublin, Ireland.

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Catherwood F. (1840). “Catherwood Palace Palenque Interior”. Lithograph from drawings by Frederick Catherwood at Palenque, Chiapas, 1840. Uploaded by Infrogmation (talk | contribs) (2019). Public domain. Photo source: Wikimedia Commons. Available at <https://bit.ly/3fSbtP5>. [Accessed on 28th May, 2021].

Dzikowska E. (2013) Tam, gdzie byłam. Meksyk. Ameryka Środkowa. Karaiby. Wydawnictwo Bernardinum.

Eggebrecht E. (2013). ”Szukanie dowodów. Odkrywanie Majów przez naukę.” Jawińska M. trans. In Majowie. Niezwykła cywilizacja. [Maya. Gottkonige im Regenwald]. Grube N., Eggenbrecht E., Seidl M. eds. Warszawa: Grupa Wydawnicza Foksal.

Free images at Pixabay. Available at <https://bit.ly/3fTQX0u >. [Accessed on 28th May, 2021].

Grube N. (2013) ”Wstęp.” Jawińska M. trans. In Majowie. Niezwykła cywilizacja. [Maya. Gottkonige im Regenwald]. Grube N., Eggenbrecht E., Seidl M. eds. Warszawa: Grupa Wydawnicza Foksal.

Hart W. (2017). “Tajemnica Ameryki Środkowej”. In: Zakazana historia ludzkości. [Forbidden History. Prehistoric Technologies, Extraterrestial Intervention, and the Suppressed Origins of Civilization]. Douglas Kenyon J. ed. Tabiński P. trans. pp. 147-154

Hohmann-Vogrin A. (2013). ”Jedność w przestrzeni i czasie – architektura Majów.” Jawińska M. trans. In Majowie. Niezwykła cywilizacja. [Maya. Gottkonige im Regenwald]. Grube N., Eggenbrecht E., Seidl M. eds. Warszawa: Grupa Wydawnicza Foksal.

Lonely Planet (2021). “Museo de Sitio. Museum in Palenque”. In: Lonely Planet. Available at <https://bit.ly/3z0MB0t>. [Accessed on 6th June, 2021].

Monsieur Mictlan (2018). “Death Mask of Pakal the Great”. In: Atlas Obscura. Available at <https://bit.ly/3gdjZs9>. [Accessed on 6th June, 2021].

Prager Ch., Grube N. (2013). ”Najważniejsze zabytkowe stanowiska Majów.” Jawińska M. trans. In Majowie. Niezwykła cywilizacja. [Maya. Gottkonige im Regenwald]. Grube N., Eggenbrecht E., Seidl M. eds. Warszawa: Grupa Wydawnicza Foksal.

Von Däniken E. (1991). Dzień, w którym przybyli bogowie. 11 sierpnia 3114 roku prz. Chr. [Der Tag, and em die Gotter kamen. 11. August 3114 v. Chr.]. Serafińska T. trans. Warszawa: Wydawnictwo Prokop.

Dwarfs Dwell in the Maw of ‘Cenotes’

We were on the way to Cenote Ik Kil, located in the northern centre of the Yucatán Peninsula and about five minutes (3,2 km) south from Chichén Itzá (“Ik Kil” 2020). Today, it is part of the Ik Kil Archaeological Park and is publicly accessed for swimming and cliff diving (“Ik Kil” 2020; David 2020). Its water level is about 26 metres (85 ft) below ground level; It has got about 60 metres (200 ft) in diameter and is about 48 metres (157 ft) deep (“Ik Kil” 2020).

Cenote Ik Kil, located in the northern centre of the Yucatán Peninsula and about five minutes (3,2 km) south from Chichén Itzá. Today, it is part of the Ik Kil Archaeological Park and is publicly accessed for swimming and cliff diving. Copyright©Archaeotravel.

Swimming in cenotes is always at one’s own risk; there are no lifeguards, and only life vests are available (David 2020). This is why one needs to feel really comfortable swimming out of their depth to enjoy this experience (Ibid.).

Cenote Ik Kil

Around the cenote, there is a well organised tourist infrastructure with two restaurants serving typical Mexican food, changing rooms with lockers and showers, shady areas for relaxing, conveniently placed viewing areas of the cenote, and even cottages for hire to stay overnight (“Ik Kil” 2020; David 2020). To get to a swimming platform with the wooden stairs, there is a carved stone stairway that leads down (“Ik Kil” 2020; David 2020). Still there are three diving platforms beside the pool as well (David 2020). The cenote is open to the sky so visitors are not enclosed, like in cave cenotes, which yet gives another invaluable experience (“Ik Kil” 2020; David 2020). To avoid doing any harm to the cenote ecosystem, the visitors intending to swim must first take a shower to remove all the cream and dirt off of their skin (David 2020). It is not either allowed to touch stones or tree roots around the well (Ibid.).

Ik Kil Cenote seen from the upper viewing area of the well. Copyright©Archaeotravel.

Luckily, when we got on-site, there were not so many people swimming in the cenote. The water was really fresh, crystal-clear and chilly, which gave a cooling relief from Mexican sunshine (David 2020), even in February. From time to time, I felt tiny fishes nicely nibbling my skin. I swam to the centre of the water circle and I looked up into the open roof section. The view was breathtaking with all those plant strings and tree roots cascading down from the roof edges into the water (Ibid.), and the foliage covering the damp stones of the well just intensified the effect of swimming in the jungle.

Maw of the underworld that holds the underground waters

I dived in to the abyss of the well and I found myself in a completely different world once again. Echoes of people’s voices heard above suddenly fell silent and I felt alone, as if on the threshold to the unknown, underwater realm, existing – as the Maya believed – parallel to the real one (Prager 2013:279).

The view from the well of Kil Cenote is breathtaking with all those plant strings and tree roots cascading down from the roof edges into the water, and the foliage covering the damp stones just intensified the effect of swimming in the jungle. Copyright©Archaeotravel.

It was ruled by dangerous deities, such as the rain Mayan god Chaak (Aztec’s Tlaloc), and dwelled by various mythical creatures being the gods’ helpers (Prager 2013:279; Brady 2013:299; Tuszyńska 2007:62-63; “Xibalba” 2020). Some of them personified significant forms of the landscape: mountains, caves and cenotes (Brady 2013:299). In Mayan inscriptions, scholars identify wide-open jaws of Centipede (Sak Baak Chapaata), symbolizing cenotes as the ‘maw of the underworld (or of the Earth Monster) that holds the underground waters’ (Ibid.:299; also see the drawing a: “Maw of the underworld from Pakal’s sarcophagous”. In: Schele and Mathews (1998). Drawing source: Ramos Ponciano M. E., Ball J. W. (2017). Not only cenotes, but also underwater lakes in caves, are the natural models of this mythical place, inhabited by both, animals, such as frogs, lizards, water snakes, scorpions, and more grotesque creatures, like gnomes, souls of the forest and short people, dwarfs (Prager 2013:279).

Divine dwarfs in cenotes

Dwarfs not only performed various administrative functions and entertained the ruler at pre-Columbian royal courts, but also played an important role in the mythology of the Maya, who believed in the classical and post-classical periods that the four dwarfs were tasked with raising the vault of heavens.

Cenote Ik Kil is one of main tourist attractions of Yucatan Peninsula. Photo by Matias Cruz (2014). Photo source: Free images at Pixabay.

The Olmecs also knew of the image of the four dwarfs supporting the sky, where dwarfs were equally pictured, like stone atlases, supporting the structure of the altar, possibly representing the vault of heavens (Prager 2013:278-279). The Maya even saw two dwarfs in the firmament, symbolizing undiscovered constellations (Ibid.:279). Midgets, as much as hunchbacks, cripples and albinos were viewed by the Maya and other pre-Colombian cultures as supernatural beings through their physical infirmities (Ibid.:278). They were all also regarded, like Maya rulers were, as messengers of the divine world and a means of contact with it (Ibid.:278). As such, the dwarfs are often depicted as companions of gods, including the sun and maize deities (Ibid.:279). This explains why in art, the Mayan kings considered divine, were also depicted in the company of midgets; the ruler performing religious rituals imitated the gods and became the center of the real world and the underworld (Ibid.:278).

Ruler attended by court dwarf. A photograph of a colorful ceramic vessel; origin unknown; late classical period, 600-900 AD; private collection (Kerr 1453). Court dwarfs performed many functions at the ruler’s court. In the depiction, one of them is kneeling in front of the ruler, holding a mirror, while another one below checks the quality of the food in the vessels and jugs or examines if it is not poisoned (Prager 2013:278). Photo source: Latin American Studies (2020) “Maya Dwarfs”. In: The Maya. Latin American Studies.

Mayans thus believed that dwarfs come from outside the real world and actually are divine and supernatural beings (Prager 2013:279). They dwell in the underworld or ‘place of fright’, Xibalbà, which is as much sacred as dangerous (Tuszyńska 2007:34,36; “Xibalba” 2020). In the Maya’s opinion, the boundaries and the portals to this world can be found in overgrown holes in the forest, dark caves, deep ravines, and also in shimmering water mirrors overgrown with dark green water lilies, or just in deep cenotes, like this one I was just swimming in (Tuszyńska 2007:36; Prager 2013:279). Such wells were perceived as symbolical corridors between the earthly land and underworld (Tuszyńska 2007:37).

More about dwarfs

The history of the Mayan dwarfs, however, does not end here; I have also read that among the Maya’s offerings found in the caves, there have been also found querns for producing corn flour, which was possibly related to the Mayan belief that the first world was inhabited by dwarfs, saiyam unicoob, who built the first stone cities (Tuszyńska 2007:26; Brady 2013:305). The first world was deprived of the Sun (Tuszyńska 2007:26). When it was finally created and shone for the first time, it turned the dwarfs into stone, and their images can now be seen in many ruins (Ibid.:26). The donors probably wanted to pay tribute to them by similar offerings (Brady 2013:305).

After the Maya, dwarfs took part in “a rite of passage in which [they] assist the soul of the [privileged] deceased into the domain of the dead, [the underworld], from which it would eventually be reborn in the royal lineage, [just as the maize god died in the underworld and resurrected. Similarly,] maize sprouts again in the cycle of nature’s renewal” Art (Institute Chicago 2020). This is possibly why dwarfs are often seen in art while accompanying the maize god (Prager 2013:279; Institute Chicago 2020).

Crunchy nachos and human bones

After one hour of swimming in the underworld, I woke up from a daydream, as if revitalized. I was sitting in one of the on-site restaurants. The waiter has just brought a basket full of crunchy nachos and a saucier of juicy guacamole. It was a pleasant feeling to join archaeology and mythology with a tourist attraction and delicious Mexican food.

‘Why did not you tell me?!’, my friend asked reproachfully, sitting at my table, and pulling a wicker basket with nachos towards her.

‘About what?’, I asked surprised.

‘That THEY pulled people down HERE in the water to sacrifice them!’, she explained. ‘But it is better I have found it out not earlier than I got into the water’, she added without waiting for my explanation.

The Samulá Cenote in Valladolid, Yucatán, Mexico. Photo by dronepicr (2015). CC BY 2.0. Photo source: “Cenote” (2020). In: Wikipedia. The Free Encyclopedia.

Indeed, the research of archaeologists confirmed the thesis that the Maya offerings were not only composed of products made of jade, shells, flint and ceramics, but there were also sacrifices of humans (Tuszyńska 2007:37; Brady 2013:305; Dzikowska 2013:201). Diego de Landa also mentions human offerings given by the pilgrims to the Cenote Sagrado in Chichén Itzá (Brady 2013:305). Since the arrival of the Conquistadors, stories have circulated about human sacrifice practiced by the Maya (Tuszyńska 2007:37). Chroniclers of that time mention that children and young women were thrown into the water (Tuszyńska 2007:37; Brady 2013:305). However, according to the researchers, the excavated human remains do not always indicate sacrifices (Tuszyńska 2007:37). In many cases it turned out that in most cases humans were thrown into the water after their death, and this concerned both men and women of a different age (Ibid.:37). It supports a hypothesis that the remains of ancestors and important personalities were thrown into the waters of the cenotes, because they symbolized the primeval ocean in the moment of the creation of the world (Ibid.:37). In this way, the dead were reborn to a new life (Ibid.:37).

Burials or human sacrifice?

There are many other hypotheses about human skeletons found in cenotes (Tuszyńska 2007:37). One of them states that they could be burial places (Ibid.:37). The best example of such a water cemetery is the Cenote Tankah (Quintana Roo), where the walls were marked by the Maya with glyphs of darkness and the planet Venus (Ibid.:37). Both glyphs are associated with night and death, but also with life and rebirth (Ibid.:37). Assuming that the cenotes were symbolic entrances to the world of the dead, Xibalbà, the hypothesis of natural burial chambers in cenotes is justified (Ibid.:37).

Scuba diving in a cenote. Photo by Ggerdel – Buceador y camarógrafo: Gustavo Gerdel – BAB Buceo (2015). CC BY-SA 4.0. Photo source: “Cenote” (2020). In: Wikipedia. The Free Encyclopedia.

According to a related theory, human bodies were placed in cavities that were naturally hollowed in the walls of the well and emerged in periods of drought (Tuszyńska 2007:37; Dzikowska 2013:201). And droughts were actually the main reason for the human sacrifice to appease Chaak, the rain god (“Ik Kil” 2020). Such dry spells were the greatest in the ninth and tenth centuries AD., and when they finally passed away, the water flooded the bodies of the victims thus deposited (Dzikowska 2013:201).

In the Cenote Tankah, scattered bones belonging to one hundred and eighteen human skeletons were found (Tuszyńska 2007:37). Two hundred and fifty skeletons have been uncovered at Cenote Sagrado of Chichén Itzá (Dzikowska 2013:201). ItzáIk Kil cenote was equally sacred to the Mayans who used it for various offerings, including human sacrifice to their rain god, Chaak (“Ik Kil” 2020). Consequently, apart from numerous pieces of jewellery, archaeologists and speleologists have found human bones also in the deep waters of this cenote (Ibid.).

https://www.youtube.com/watch?v=6JcKPpBQr8w
Cenote Chichi de los Lagos. Homun. Yukatan by Televisa Bicentenario. Source: Oleg Och (2011). In: Oleg Och Youtube Channel.

‘Next time, we are going to snorkel in the sea’, decided my friend, devouring the last nachos. ‘And I hope not to find any human bones’.

Touching history by accident

I smiled to myself. It is difficult not to touch the past in such places as Mexico, where the present is continuously being filtered through the ancient heritage, whose remnants are so tangible at each step taken by a modern visitor, even if they are quite unconscious of such significant ancient influences.

Featured image: Entrance to Dos Ojos Cenote, near Tulúm in Mexico. Photo by Dag Lindgren (2007). CC BY-SA 3.0. Image cropped. Photo source: “Sistema Dos Ojos“ (2020). In: Wikipedia. The Free Encyclopedia.

By Joanna
Faculties of English Philology, History of Art and Archaeology.
University of Silesia in Katowice, Poland;
Cardinal Stefan Wyszyński University in Warsaw, Poland;
University College Dublin, Ireland.

BIBLIOGRAPHY:

“Cenote” (2020). In: Wikipedia. The Free Encyclopedia. Available at <http://bit.ly/2L9bXVb>. [Accessed on 30th December, 2020].

“Ik Kil” (2020). In: Wikipedia. The Free Encyclopedia. Available at <http://bit.ly/3pyPobr>. [Accessed on 30th December, 2020].

“Sistema Dos Ojos“ (2020). In: Wikipedia. The Free Encyclopedia. Available at <http://bit.ly/354EZN7>. [Accessed on 2nd January, 2021].

“Xibalba” (2020). In: Wikipedia. The Free Encyclopedia. Available at <http://bit.ly/2JBW21v>. [Accessed on 2nd January, 2021].

Brady J. E. (2013). ”Odkrywanie ciemnych sekretów – archeolodzy w jaskiniach Majów.” Jawińska M. trans. In Majowie. Niezwykła cywilizacja. [Maya. Gottkonige im Regenwald]. Grube N., Eggenbrecht E., Seidl M. eds. Warszawa: Grupa Wydawnicza Foksal.

David (2020). “Cenote Ik Kil, Chichen Itza: Ultimate Guide (2020)”. In: The Whole World is a Playground. Available at <http://bit.ly/2WUdFfM>. [Accessed on 30th December, 2020].

Dzikowska E. (2013). Tam, gdzie byłam. Meksyk. Ameryka Środkowa. Karaiby. Wydawnictwo Bernardinum.

Free images at Pixabay. Available at <https://bit.ly/3fTQX0u>. [Accessed on 30th June, 2021].

Latin American Studies (2020). “Maya Dwarfs”. In: The Maya. Latin American Studies. Available at <http://bit.ly/3rKBQvn>. [Accessed on 1st January, 2021].

Oleg Och (2011). “Cenote Chichi de los Lagos. Homun. Yukatan by Televisa Bicentenario”. In: Oleg Och Youtube Channel. Available at <https://bit.ly/3rFAfXS>. [Accessed on 30th December, 2020].

Prager Ch. (2013). ”Nadworne karły – towarzysze władców i wysłannicy podziemnego świata.”Jawińska M. trans. In Majowie. Niezwykła cywilizacja. [Maya. Gottkonige im Regenwald]. Grube N., Eggenbrecht E., Seidl M. eds. Warszawa: Grupa Wydawnicza Foksal.

Ramos Ponciano M. E., Ball J. W. (2017). “Eccentric Caches of Buenavista del Cayo: Contextual Analysis and Cosmological Significance“. Thesis for: M.A. Advisor: Joseph W. Ball; Jennifer Taschek; Seth Mallios. SDSU Mopan-Macal Triangle Archaeological Project. In: ResearchGate. Available at <http://bit.ly/3o9Nde6>. [Accessed on 1st January, 2021].

Tuszyńska B. (2007). Mitologie świata: Majowie. In: Rzeczpospolita. Kraków: Drukarnia Narodowa SA.

Astronomical Sanctuary of the Cloud People Atop the Hill

We were travelling in the state of Oaxaca in southern Mexico, moving along the mountain range of Sierra Madre. The mountains climb there from 500 to 3 250 metres above sea level, bringing low temperatures with frequent frost in their higher parts. For some, it does not even sound like Mexico … especially in February.

Shivering from the cold and … excitement

When the alarm rang it was 5 am. That morning was really chilly. I forcefully shivered when my feet touched the icy cold stone floor. The unpleasant feeling made me literary jumped into my shoes. Then I quickly switched on a small electric heater. The red diode came on together with a characteristic loud noise. Finally I felt a gentle blast of warm air. Still shivering I grabbed my clothes and went to the bathroom, of course, dragging the buzzing heater behind me.

The constructions of Monte Alban. Copyright©Archaeotravel.

With a cup of hot coffee, warming up my hands, and wrapped up in my balmy cardigan, I felt much better when we finally arrived at Monte Alban. Outside it was still cold but just a thought alone about the site filled with a mystery, a myth and a legend recharged my battery and I was ready to give up my warm seat inside the car.

Like an eagle perched high-up

Monte Alban looks like an eagle perched high-up in its nest. Copyright©Archaeotravel.

Monte Alban looks like an eagle perched high-up in its nest; it is located around 1 940 metres above sea level and 400 metres above the Altiplano of the Oaxaca Valley, which offered us breath-taking panoramic views of the horizon and so of the huge area surrounding the site (“Monte Albán” 2019; Heyworth 2013; Heyworth “ A Brief History” 2014). Precisely, Monte Alban occupies the meeting point of three arms of the Valley, known as the Etla, Tlocolula and the Valle Grand (Heyworth “A Brief History” 2014). Before the fifth century BC., they were inhabited by various tribes, of which the most important was the community of San Jose Mogote in the Etla branch (Ibid.). That population is believed to have initiated the city of Monte Alban and effectively unified local tribes under their control, either by means of a peaceful alliance or by force (Heyworth “A Brief History” 2014; Heyworth “The Encrypted …” 2014).

The city offered us breath-taking panoramic views of the horizon. Copyright©Archaeotravel.

It is thought that Monte Alban had played a very important role in Mesoamerican history since its rapid development around the third century BC. Its importance ceased only in the eighth century AD., when the site was suddenly abandoned for unknown reasons (Heyworth 2013; Heyworth “A Brief History” 2014). Archaeologically, the history of the city is divided into several successive stages, such as ‘Monte Alban Early I’, ‘Monte Alban Late I’, ‘Monte Alban II’, ‘Monte Alban III’ and ‘Monte Alban IV’, etc., which all correspond to certain periods of time, from the fifth century BC. to the beginning of the fifteenth century AD. (Heyworth “A Brief History” 2014; Strom 2019). The first phases with the Zapotec dominance correspond to the city’s cultural growth, where it had played the role of a religious center till the eighth century AD., whereas during the last two phases the gradual fall of the city was followed by its final abandonment; it was the time of the Mixtec and later cultures (Strom 2019). Only during the latter phases, the city became surrounded by fortifications (Strom 2019; Heyworth “The Encrypted …” 2014).

The site filled with mystery, myth and legend recharged my battery … Copyright©Archaeotravel.

Origins shrouded in mystery

The matter of the city’s origins itself is strongly debated (Heyworth 2013). Apparently, the very first settlement appeared on the site already before the fifth century BC. but with a limited population till the time when the Zapotecs grew in number and became more powerful, mainly due to the centralization (Heyworth 2013; Heyworth “A Brief History” 2014). Generally, Monte Alban is believed to have been the capital of the Zapotec empire, where approximately 20 000 people had lived at its heyday (Ibid.). Between the first century BC. and the second century AD., Monte Alban developed to an influential political metropolis, being in lead within the Oaxaca region and possibly beyond it (Heyworth “A Brief History” 2014). We can even assume that the city owed its pivotal role not only to its central role in the Valley but also for that it was built at the crossroads of trade routes between the highlands of Teotihuacán to the west and the Mayan lowlands to the east (Ibid.).

Real architects of the city

Who was the real architect of the city? Copyright©Archaeotravel.

Although it was the centralization process that eventually gave the beginning of the dominant Zapotec civilization, it does not mean that the people of San Jose Mogote were the real architects of the city (Heyworth “The Encrypted …” 2014). In fact, none of the tribes in the Valley, including the ancestors of the Zapotecs, had built anything that would be even slightly similar to the style of the sophisticated architecture found at Monte Alban (Ibid.). The Zapotecs had also been far from using such advanced engineering and building techniques as those employed in the city (Ibid.). What is even more thought-provoking is that among the construction phases of Monte Alban, the earliest ones are the most innovative (Heyworth “The Observatory” 2013; Heyworth “The Encrypted …” 2014). As a matter of fact, the architects of Monte Alban, just like the Olmecs, made their calculations by means of the bar-dot code, proving their advanced knowledge of mathematics (Hancock 2016:155). They also used the calendar invented by the Olmecs, which has commonly been ascribed to the Mayans (Ibid.:155). If the calendar, astronomy and counting of time occupied such a prominent place among the inhabitants of Monte Alban, maybe they themselves were heirs of the Olmecs, or even their descendants? (Ibid.:155). The Maya, on the other hand, would have to be regarded as devoted guardians of this cultural heritage (Ibid.:155).

Artificial flattening of the hill with the Sunken Patio on the right. Copyright©Archaeotravel.

One of the most puzzling features of the city of Monte Alban is the fact that it was actually built atop an artificially flattened hilltop (Heyworth “The Encrypted …” 2014). Such a position could obviously provide a sense of security and make a city a fortified stronghold (Ibid.). But was it the case? In truth, a gradual development of a rather ceremonial space and the use of principles of sacred topography suggest that Monte Alban was built for quite different purposes than to play just a defensive function (Heyworth “The Encrypted …” 2014; Strom 2019). Besides, as discussed above, “the city’s [fortifications] were added several hundred years after the city had risen to power” (Heyworth “The Encrypted …” 2014).

Plan of the Monte Alban archaeological site, created by MapMaster. The SVG original (which turned out to be smaller than anticipated) can be found at Image:Monte Alban archaeological site.svg (2006). CC BY-SA 3.0. Original photo modified. Photo and caption source: “Monte Albán” (2019) In: Wikipedia. The Free Encyclopedia.

Successive phases of construction

Officially, it is assumed that monumental architecture had appeared on the site since the third century BC., however, other theories say it may have happened even earlier (Heyworth “A Brief History” 2014; Heyworth “The Encrypted …” 2014). Irrespective of the real time of its initiation, the city was built in successive phases (Heyworth “The Encrypted …” 2014). Firstly, the hilltop must have been artificially levelled, primarily in the areas of the Main Plaza and the North Platform with the Sunken Patio (Ibid.). Then there emerged its first huge constructions, such as the System IV, Monticle M and J (the so-called Observatory) (Ibid.).

Monticle J, known also as the Observatory. Copyright©Archaeotravel.

Monticle J aka the Observatory

Particularly the latter seizes viewers’ attention (Heyworth “The Observatory” 2013; Heyworth “The Encrypted …” 2014), especially while being observed from the bird’s eye view. The observatory, consisting of a strange arrow-tipped structure, stands at an angle of 45 degrees to the main axis of the city, deliberately shifted a few degrees from the northwest (Hancock 2016:154). Although the Monticle J was one of the first building constructed at the site, its peculiar shape (Ibid.) and “juxtaposition to the rest of the Main Plaza and its temples” (Heyworth “The Encrypted …” 2014) make it unfit to the overall plan of the city (Ibid.).

Graham Hancock (2016:154-155) crawled inside the Observatory during his visit to Monte Alban. Afterwards, he described it as a labyrinth of narrow tunnels and staircases from which various parts of the sky can be observed (Ibid.:155). Indeed, I was sure that it must have been once used as an astronomical device. The building’s “odd pentagonal shape points, literally, like an arrow to the south-west and it is believed it was deliberately designed to align with the star Capella on its heliacal rising” (Heyworth “The Encrypted …” 2014). It is supported by the fact that the Observatory’s shape itself reproduces on earth the position of five dominant stars of Auriga Constellation, in which Capella is the brightest one (Heyworth “The Observatory” 2013).

View of Monte Alban and its mountainous surrounding. Copyright©Archaeotravel.

In addition, “the understanding of heliacal phenomena is important to the growing studies of archaeoastronomy and the history of science [in general]” (Schaefer 1987:S19) What is it all about?

The building’s “odd pentagonal shape “. Copyright©Archaeotravel.

Bradley E. Schaefer (1987:S19) explains that “celestial bodies undergo periods of invisibility, when the Sun is nearby. These periods of invisibility are bounded by the dates of the star’s heliacal rising and setting. The star is first glimpsed during morning twilight on the date of heliacal rising”, when it re-emerges at sunrise (Heyworth “The Observatory” 2013). “The apparition […] of the star ends on the date of heliacal setting when the Sun approaches too close to the object” (Schaefer 1987:S19), that is to say, when the star rises after the sunrise (Heyworth “The Observatory” 2013). Aveni (1978) claims that “the heliacal rise of Capella from Monte Alban occurred on the day of the first solar zenith passage[1]in the year 275 [BC.]” (Schaefer 1987:S31), which is actually the theoretical date of the construction of the Observatory (Heyworth “The Observatory” 2013). In order to capture that event, the building was provided with the so-called zenith tube (Ibid.) – a narrow horizontal passageway or shaft (Heyworth “The Observatory” 2013; Strom 2019) “which only allows light to shine directly through it on a specific day, when the sun reaches a precise position in the sky” (Heyworth “The Observatory” 2013). That phenomenon takes only place on 2nd May (Strom 2019).


[1] [the Sun at the highest point in the sky, 90 degrees from the horizon] (Heyworth “The Observatory” 2013; Barnhart, Powell 2010-11).

Engineering feat

As much as the Building J proves the importance of astronomy to the inhabitants of Monte Alban, their real feat of high level engineering was achieved by the artificial flattening of the hill (Heyworth “The Encrypted …” 2014), or as we should rather say – by the cutting off the top of it in order to build the city. “The Main Plaza alone stretches for 300 [metres] from north to south and 200 [metres] from east to west” (Ibid.). Additionally, to the north of the Main Plaza, there is also the so-called Sunken Patio (Patio Hundido), which was hewed further down into the rock (Ibid.) and so “scientifically designed to reflect sound and amplify it” (Ibid.). Actually, a much easier way to achieve the same effect would be a construction of walls around the perimeter (Ibid.). Yet, for some reasons, the city’s architects had chosen to accomplish a gargantuan task of “[digging] down into the hilltop to carve the space out” (Ibid.).

Actually, I am getting used to this ancient phenomenon of making things far more complicated than necessary. Here we can ask the question usually posed by alternative archaeologists: ‘Was it then a difficult task to them at all?’

To make the thing even more intriguing, “the Patio Hundido is replicated twice at Monte Alban with smaller scale versions known as System IV and [Monticle] M” (Heyworth “The Encrypted …” 2014). Furthermore, all these three patio groups are aligned in such a way to reflect not only celestial events but also to show their mutual geometric relations with other compounds of the city (Ibid.). That fact, in turn, makes the whole city “an observatory or [even a complicated] celestial timepiece” (Ibid.).

Astronomical Observatory

Scattered blocks of stone among mysterious constructions. Copyright©Archaeotravel.

Gathered evidence shows that the inhabitants of Monte Alban were able to understand and predict such celestial events “as the passing of comets, eclipses, helical risings, equinoxes and solstices” (Heyworth “The Encrypted …” 2014). In these terms, Monte Alban may not have been originally designed as a fortified stronghold, whose function would be narrowed to controlling the region (Ibid.) “but rather [as] a sacred sanctuary dedicated to reading the celestial objects of the skies” (Ibid.). As a matter of fact, “the astronomy may have been the real reason for building [the complex] on the craggy impractical hilltop – for Monte Alban is one of the few cities in the world that enjoys incredible 360° views of the horizon” (Ibid.).

The impressive stairs leading up to the South Platform. Copyright©Archaeotravel.

When we climbed up the hills in the proximity of the South Platform, I looked down at the city spreading in front of me and valleys of Oaxaca below me. The whole picture seemed to be suspended in the background of the dark mountains and white clouds in the sky. In the center, the Main Plaza gleamed in the morning sunlight (Hancock 2016:153). It was fringed by clusters of pyramids and other buildings arranged geometrically to each other (Ibid.:153). The whole arrangement gave an impression of perfect proportion and symmetry (Ibid.:153).

With every kilometre I took through Mesoamerica, the mystery of its ancient cities kept growing and deepening (see Hancock 2016:153). Consequently, I have felt magnetically attracted, although it does not promise its mysteries to be revealed.

Featured image: Monte Alban. Copyright©Archaeotravel.

By Joanna
Faculties of English Philology, History of Art and Archaeology.
University of Silesia in Katowice, Poland;
Cardinal Stefan Wyszyński University in Warsaw, Poland;
University College Dublin, Ireland.

BIBLIOGRAPHY:

“Monte Albán” (2019) In: Wikipedia. The Free Encyclopedia. Available at <https://bit.ly/2VdZB13>. [Accessed on 22nd February, 2020].

Barnhart, E., Powell, C. (2010-11) The Importance of Zenith Passage at Angkor, Cambodia, pp. 1-23. University of Texas at Austin Chautauqua Program courses to the ancient city of Angkor, Cambodia.

Hancock G. (2016) Ślady palców bogów. [Fingerprints of Gods]. Kołodziejczyk G. trans. Warszawa: Amber.

Heyworth, R. (2013) “Monte Alban – Ancient Observatory.” In: Uncovered History. Available at < https://bit.ly/32hyvYw>. [Accessed on 22nd February, 2020].

Heyworth, R. (2013) “Monte Alban.” In: Uncovered History. Available at <https://bit.ly/37UwvGF>. [Accessed on 22nd February, 2020].

Heyworth, R. (2014) “Monte Alban – Brief History.” In: Uncovered History. Available at <https://bit.ly/2vW9pSS>. [Accessed on 22nd February, 2020].

Heyworth, R. (2014) “Monte Alban – The Encrypted City.” In: Uncovered History. Available at < https://bit.ly/2VdzQ11>. [Accessed on 22nd February, 2020].

Ortega, M., Miguel, M. J., Camacho, A. (2005). “Microstructural study of the treasure of tomb #7 of Monte Alban, Oaxaca.” In: Microscopy and Microanalysis. pp. 19-24.

Schaefer, B. E. (1987) “Heliacal Rise Phenomena.” In: Journal for the History of Astronomy, Archaeoastronomy Supplement, vol. 18, pp. S19-S33.

Strom, C. (2019) “The Zapotecs of Monte Alban – The First Civilization in Western Mexico?” In: Ancient Origins. Available at <https://bit.ly/2HKlo8S>. [Accessed on 23rd February, 2020].

Creeping into the Lugar de los Muertos with an Archaeologist

After a week of travelling around Mexico, from Yucatan and Chiapas State, and through Tabasco to Oaxaca, I experienced a special magic and a variety of cultures of the country, felt by Mexicans and foreigners alike.

Archaeological site of Mitla and the ruins of the palace, Oaxaca. Copyright©Archaeotravel.

Around 4000 recorded archaeological sites …

The state of Oaxaca is a mountainous area broken by wide fertile valleys and it represents one of the bastions of indigenous cultures having been developed for thousand of years in Mesoamerica. Apart from the country’s most energetic and colourful festivals, various arts, well-developed crafts, delicious cuisine and vibrant colonial architecture of the capital, the region also boasts a number of pre-Columbian sites and artefacts left behind by mysterious peoples.

The word Mitla itself means ‘underworld’ or the ‘place of rest’ in Zapotec, the language which is still relatively widely spoken, especially in villages. Copyright©Archaeotravel.

There are around 4000 recorded archaeological sites in Oaxaca, mostly known as settlements of the Zapotecs and Mixtecs, occupied up until the Spanish conquest in the sixteenth century. The all  sites differ in time and characteristics, however, all include a mystery: Lambityeco and Zaachila have got interesting tombs, Dainzú and Yagul – important ball game courts, and San José el Mogote is said to be one of the most ancient settlements in Oaxaca. Among all, though, Monte Álban and Mitla were two of the most important.

‘Place of the Rest’

Mitla is located about an hour drive from Oaxaca City and it was presumably the main religious center of the region. The name Mitla itself comes from the word Mictlan, the name for the ‘underworld’ or the ‘place of rest’ in Zapotec, the language which is still relatively widely spoken, especially in villages. The walls at Mitla are covered with spectacular geometric mosaics which are unique in Mexico, as much as its bright red painted walls. We stopped there on our way to Oaxaca City, driving along the range of Sierra Madre mountains. It was around 3 PM and a blast of hot air struck me full when I was getting off the air conditioned car.

The site looked amazing with geometrically designed upper parts of the buildings, covered in intricate mortar-less mosaics. My attention was also caught by walls painted bright red. Once Mitla was inhabited by the people, called by the neighbouring Aztecs in Nahuatl – the Zapotecs. Yet they called themselves differently, either simply The People in their own language or more mysteriously – the Cloud People.

The walls at Mitla are covered with spectacular geometric mosaics which are unique in Mexico. Copyright©Archaeotravel.

Just in in the heart of Oaxaca state, along the western coast of the Pacific Ocean, which is at once a mountainous and hard-to-reach area, the Zapotec culture probably began to take shape around the third century AD. Some scholars assume that the Zapotecs had already appeared when the Olmec civilization was on the verge of decline, that is presumably around 400 BC. and existed in the region till 1500 AD. Anyway, any exact dating is uncertain here; the Zapotecs probably came to modern Oaxaca areas in the period before Christ, yet it took several centuries for them to develop their characteristic cultural features, which were initially composed of mixed elements of various origins, from Teotihuacan and the Olmec to the Maya cultures. At the Zapotecs’ height, the population in the Valley of Oaxaca peaked at around one hundred thousand.

The ruins of Mitla are the quintessence of the Zapotec architecture. Yet, the city also witnessed the Zapotec-Mixtec symbiosis, which had been visible in the culture of this region since the fourteenth century AD. Its traces can be seen especially in Mitla, whose geometric motifs of mosaic fretwork cut in stone slabs are usually ascribed to the Mixtecs. Yet, another theory says the ornaments were made my the Zapotecs and then adopted and embellished by the Mixtecs. Such patterns are called grecas in Spanish; meanders, diamonds, zigzags and various braids cover not only the outer walls of significant buildings, but also their interiors, usually with three horizontal stripes of frieze, each with a different type of ornament.

It has been calculated that over eighty thousand polished stone slabs were used to adorn the walls in such geometric friezes. The [stones] are [all] fitted together without mortar; [all the] pieces were set against a stucco background painted red [and] are held in place by the weight of the stones [surrounding] them. […] None of the fretwork designs is repeated exactly anywhere in the complex [or elsewhere] in Mesoamerica” (Mitla” 2021). In the wall painting, frescoes and sgraffito made on red stucco, depicting deities and mythological animals, there are also many Mixtec motifs, which are younger than sculpted decorations.

Examining geometric mosaics of Mitla. Copyright©Archaeotravel.

As in the case of the Zapotecs, little is known about the Mixtecs; they are primarily famous as great craftsmen and artists. The Mixtec contributed to the culture of the region, especially in the field of goldsmithing; they were excellent at processing gold, copper and silver, they mastered lost-wax technique, they could solder and pull delicate wires. They knew the inlay and covered the wood or bone with small tiles of jade or turquoise, mother of pearl and rock crystal. The Mixtecs were also the authors of famous painted codices, mainly of historical content. Those were pictorial stories written or actually painted on long strips of wood-fiber or leather paper, created before the Spanish invasion, and also after it. Most of them, however, were unfortunately destroyed by the invaders.

The labyrinth of the Zapotecs and Mixtecs

The Zapotecs were called the ‘nation of builders’, however, if alternative researchers’ opinion is taken into consideration, most of the buildings of another famous city, Monte Alban (the original name of the city is unknown), and some structures of the nearby Mitla would rather be the product of older civilizations with great skills of shaping architectural space. Such structures, adopted or overbuilt by the Zapotecs would have originally provided a proper background for religious ceremonies or for other purposes, most likely related to astronomy.

In Mitla, there are three groups of buildings situated at low platforms and concentrated around a ceremonial courtyard, to which extensive stairs still lead. One of the most impressive constructions of Mitla is a ‘palace’ dating from the twelfth to the thirteenth century; it has three square, interconnecting courtyards, rebuilt with buildings standing on low platforms. In the ‘residential’ part of the city, there is a very small courtyard surrounded by four shallow buildings. The inner galleries must have been exceptionally dark, covered with low wooden roofs.

My attention was immediately caught by other walls painted bright red. Copyright©Archaeotravel.

The rooms around the second courtyard may have served official functions. They gained their size thanks to the alignment of monolithic columns supporting the ceiling beams. Under the rooms of the third complex, which was probably used for religious ceremonies, there are cross-shaped crypts. These crypts are a continuation of the development of the Zapotec tombs, initiated in Monte Alban, where the niches had already been shaped like a cross. The walls and floors of the crypts were covered with a thick layer of white plaster, on the smooth surface of which cult scenes were painted. Such decorations are later than architecture and were probably made by artists of the Mixtecs who lived in Mitla after the Zapotecs left. Endless halls, corridors and underground crypts criss-cross beneath the central plaza, giving the impression of a labyrinth whose architectural character resembles the so-called palace of Knossos in Crete. Possibly, hence, the city’s name standing for the underworld.

The residence of the high priest in Mitla was the largest covered structure not only in Mitla but also in Pre-Columbian Mexico. The unpreserved ceilings, probably wooden, were supported by massive monolithic pillars weighing up to twenty-three tons. The decoration of walls with strongly marked horizontal divisions is primarily made of the mentioned above geometric ornament.

Missing stone anomaly

We were standing in the middle of a great courtyard when an old man with a walking stick approached us. He looked a little tired with the heat but his face expression was revealing his passion for the site and his happiness to share it with us. He was an experienced archaeologist working in Mitla for years and he seemed to know every excavated corner of it.

“Here, they made a mistake!” – he noticed, eager to show us his discovery. Copyright©Archaeotravel.

He spoke only in Spanish to us gesticulating energetically with hands, surely to express his ideas more clearly. Soon, we started following him up and down the stairs leading to Mitla’s constructions one after the other, to take a closer look on elaborate patterns of the mosaics. Despite our guide’s difficulties with walking, he and his staff were much quicker than us in climbing the steep and narrow steps.

‘Oh, you see … each course of stones is composed of a certain number of stone elements’, he said once on top, while counting every element protruding from the wall and composing a particular pattern of the mosaic.

‘Here, they made a mistake!’, he noticed, eager to show us his discovery.

At once, all started counting other stones in hope, they would find another anomaly as well.

Who was there first … ?

I left my friends at this stage of competition and went exploring the site on my own. I noticed a few tall basalt columns between two to three metres high as well as the size of giant cut blocks on top of the walls, forming the so-called lintels, weighing from six to eighteen tons, whereas elsewhere within the same construction there was relatively crude work composed of much smaller irregular stones of different shapes with big amount of mortar used. When we compare both, the latter looked like common rubble.

I got an impression that different parts of constructions had been here reassembled. Accordingly, there are differences in construction style: here and there very large, regular tight-fitting stone slabs at the base, and massive header blocks made of basalt, now and then perfectly positioned down at the foundation with quite crude and rough work in between. The same feature is typical of many megalithic sites not only in Mexico but also in different parts of the world I have visited. After some alternative researchers, such as Brien Foerster (2018), Mitla had been constructed first with megaliths, and then it was uncovered by the Zapotecs, who adopted the older structures and overbuilt the site using their own but much simpler techniques within their building possibilities. The same author suggests that it might have been the result of some sort of a cataclysm that destroyed the original buildings of high technology a long time ago before the Zapotecs occupied it, followed then by the Mixtecs. To go further, the basalt of Mitla had been quarried from the place which is over three kilometres away (with no trees to be used as log rollers).

In the depths of the complex of Mitla, red domes of the Baroque Catholic church of San Pedro are visible; its walls seem triumphant over the Pre-Columbian ruins, but perfectly integrated into the whole ancient landscape. The church was built in the colonial era by Spanish invaders surely to show their victory over the pagan cultures of Mesoamerica. Nevertheless, the building was partially composed of the already cut stones that were found by the Spanish locally, and reused for its construction.

Eventually, I did not share my thoughts about previous lost builders with others. Such assumptions may have been too controversial for academics’ ears and I was sure what their response would be like. Anyway, all these building anomalies can be seen very easily, still only if one does not turn a blind eye to the architectural facts.

Christian Baroque church of San Pedro in Mitla. Copyright©Archaeotravel.

Featured image: Pre-Columbian city of Mitla is one of the most important archaeological sites in the state of Oaxaca, Mexico (apart from Monte Alban), and the most important of the Zapotec culture. In the picture, the Hall of the Columns within the palace or the residence of the Zapotecs’ high priest. Late Post-Classic Period, 1300-1500 CE. Copyright©Archaeotravel.

By Joanna
Faculties of English Philology, History of Art and Archaeology.
University of Silesia in Katowice, Poland;
Cardinal Stefan Wyszyński University in Warsaw, Poland;
University College Dublin, Ireland.

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